budo wrote:i was wondering: how do the pros here use Pianoteq Pro? i know there's tons of stuff one do but i'm wondering what kind of beginner/intermediate things one can do to start to get into it. for instance are there typical things pro users do routinely to tweak models for more realism/special effects/etc?
The old adage: "if it ain't broke, don't fix it" applies here, for me at least. It's not because all that power is available that you have to use all the features on all the pianos. It's easy to get lost in editing...and even forget why and where you started in the first place! Large changes in too many parameters at the same time tend to denature the sound, to make it worst...
I use the Pro features to fix something that bothers me. Usually, it applies to a small number of notes. If a few notes ring too much, or don't pop enough, I try one parameter at a time (typically Hammer hardness, Cutoff, impedance, and do small adjustments. I have also created a few Morphed pianos (without spending too much time on it) and I use them often. The power of Pro is that it allows individual note or different note ranges to be edited separately. That is the main thing.
I know different users might try more extreme things, on tuning, string length, etc...but I prefer to spend as much time as possible PLAYING and RECORDING. But if something in the sound bothers me, the tools to fix it are there in Pro, and it is well worth the investment. However, recent versions of Pianoteq are so improved, that I find myself playing the basic factory presets more and more. And I can tell you, it is only getting better!
Last edited by aWc (11-10-2022 18:11)
PT 7.3 with Steinway B and D, U4 upright, YC5, Bechstein DG, Steingraeber, Ant. Petrov, Kremsegg Collection #2, Electric Pianos and Hohner Collection.
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