Amen Ptah Ra wrote:davidizquierdo82 wrote:So I’m wondering if others hear the same thing.
Right now I have no way to tell one way or another. Recently, I did encounter a seemingly similar problem, one like what yours seems. My solution has been to lessen Damper noise but with a Humanize effect added to it.
It appears changed nearly on all my custom presets —but always I'd made dramatic changes to Damping duration, that's a given. (I've had necessarily to bring it way down countless times.)
Well as a fellow percussionist, specifically a drummer, I often find that I like to hear the nuances, the percussive and mechanical sounds from a solo piano piece played whenever as loudly as possible —and also realistically. I especially enjoy them out of old performances, however any that had been performed very energetically —with allegro and allegro con brio, and with vivace. More likely than not, the more robust the piece, the more in fact I'm going to like it. I suppose really what I'm trying to say here amounts to my assertion that, in a nutshell, most if not all the noises from the dampers, pedals, and the key releases out of an old piece —being what I like to hear— should happen especially over all its loud passages!
I do have an example to share with you, and to which you may like to listen too. It is "Carillon" performed by Vladimir Drozdov (1882 - 1960), that I posted into the very bottom of the thread Something about the bass notes. (Incidentally, it was both mixed and mastered on iLoud Micro Monitors.)
Was the solution a different note-off curve, other damper-related parameters, or simply keeping Damper Noise very low?
Now I'm becoming very curious about what might had been your own findings...
Have you tried already, adjustments to Damper position?
Thanks, not yet — I haven’t experimented with Damper position so far.
At the moment I’ve mainly been pushing Damper Noise and Damping duration to exaggerated values just to make the behavior easier to hear and isolate. It does seem like there may be a usable balance in there somewhere.
That said, after more testing I’m not even sure Damping duration is the main factor for what I’m after. I actually ended up reducing it again, because I was trying to make the Damper Noise stand out more clearly on very slow key releases.
My impression now is that note-off velocity is doing a lot of the work here.
The problem I still hear is that Damper Noise seems too indiscriminate. It does not seem to respond enough to the overall gesture. In particular, it does not seem to take note-on velocity into account in a very meaningful way.
What I would expect is something more like this:
- if the note is played softly, damper noise should generally remain quite subtle
- if the note is played hard but released quickly, the damper effect should be brief and mostly folded into the note’s decay
- if the key is released very slowly, then the damper effect should become more exposed and slightly longer
What I’m hearing instead is that once Damper Noise is raised enough to get the slow-release effect I want, it also becomes too audible in situations where I would expect it to stay much more buried.
So ideally I would love to have some kind of response curve for Damper Noise intensity / volume as a function of note-off value, and maybe even note-on value too. That would make much more sense to me musically.
I’m attaching an audio example from a sampled piano that illustrates more or less the behavior I’m expecting:
the first strikes are different note-on velocities, always with soft release
from around 0:30 onward, the strikes are again different note-on velocities, but now with fast release
https://forum.modartt.com/uploads.php?f...e%2001.mp3
To me, that kind of behavior feels much closer to what I expect from a real piano action.
Does that sound consistent with your understanding of how Pianoteq currently handles it?
Last edited by davidizquierdo82 (Today 20:28)
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