Yes Fleer, I am of the same opinion. I waited a bit, going back to the Shigeru regularly, but my impression hasn't changed much. I like it, like most of Pianoteq's models, but it doesn't strike me like the Bösendorfer (which is my new favorite). A clear difference seems to me that the Bösendorfer model has the most incredible dynamic range. The variation of timbre across dynamics is so inspiring...you get those quiet, soft "ppp"s, really like an acoustic, then those meaty mezzo's with a very distinct attack, all the way to thunderous "ffff"s, amazing. The Shigeru model, IMHO, is not special in that respect. Now, in real life, I only played SK-6 and SK-7, so what do I know However, I never played a real Bosey either... One thing is sure, these two acoustic pianos are obviously very different to start with.
I'll probably acquire the Shigeru model anyways, just to mess around with it, and I am quite sure the wizards at Modartt will make it even better in future updates
Fleer wrote:Qexl wrote:To me, the new Shigeru Kawai is absolutely stunning. I find it quite authentic to the sound and feel of the physical piano. It covers a great range of repertoire.
Like a kind of meta piano, it has many of the distinct features of other pianos, all together - and you can tease out whatever you want with it. It's a fine update to the engine and piano for sure imho. Love this genuinely impressive piano!
On a divergent note, the Shigeru Kawai doesn’t convince me as much as the Bösendorfer does. Maybe it’s the sonic signature of the original instrument.
PT 7.3 with Steinway B and D, U4 upright, YC5, Bechstein DG, Steingraeber, Ant. Petrov, Kremsegg Collection #2, Electric Pianos and Hohner Collection.
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