Thank you @moshuajusic - it is something I'd support having a bit of a rework. Not to overlook that Bluthner lovers might feel concerns about losing out but I trust there'd be some improvements possible. So a recommended thing to explore.. +++++ from my perspective.
brundlefly wrote:I wondered about that and tried cranking the Aliquot control up and down but it didn't seem to affect the level or character of the "buzz" element.
Yes indeed - same - all kinds of controls do not edit it.
My intuition is, indeed that it's likely an artefact from early times during measurement phase (perhaps a bit of 'aliquot' still within the attack model.. but to a degree it's seemingly supposed to be there.. maybe a revision of its tonal qualities might better suit the current model - or better, if possible transferring 'handling' of this phenom over to some other asepcts of the modelling, rather than it being somehow seeming so 'baked in'.?).
Various elements of the emanated acoustic behaviours are better separated over time under the auspices of the various controls I think - but certainly, consider the period instruments and how much 'room' is baked in to those. So, while I think everyone commenting here is correct, perhaps it is something which can be made better now. (I guess it inherently makes me mention the idea of a parallel model of 'space' - maybe based on reverse engineering 'anechoic' behaviours as they relate to the model.? Not so much as a replacement for reverb - but a quasi spatial 'wrapper' for the overall radiating model - logically perhaps like an algo to prime before IR behaviours are accounted for.)
It may seem counter-intuitive (to want to 'fix' the element well described by moshuajusic but, you could spend time 'baking' a nice mix, only for your mastering engineer to apply a broad air boost which reveals the very thing you've tried to attenuate.. I've 'worked' that Bluthner element, but that was for a very enhanced close mic effect.. and can definitely see how it might particularly inhibit the mix process, esp. for more distant pianos in an ensemble context. It's definitely not a huge problem for most use-cases but could be a nice focus for improvements to come.
Pianoteq Studio Bundle (Pro plus all instruments) - Kawai MP11 digital piano - Yamaha HS8 monitors