kencarlino wrote:Well this doesn't use Pianoteq but posting here for continuity with this series. I wanted to use Pianoteq here, but the pianos don't offer as wide a range of soft emotional piano presets as I wanted.
Basically this album creates each song with 6 piano parts selected from a set of 16. 8 for the baseline and 8 for the melody. The hope was to make the collection more diverse, hopefully without sounding too scattered. If this approach holds merit I would like to circle back to try to get Pianoteq to do it as I find the core piano sounds are better (to my ears) in Pianoteq but it's lacking the granular effects and fractals/particles for atmospheres.
https://www.youtube.com/watch?v=dL43LNC...mp;index=1
Enjoy,
Ken
Hi ken,
As 1MD says, yes, this is different from all others. (what is core piano)? ".....but the pianos don't offer as wide a range of soft emotional piano presets as I wanted"
Soft piano, I suggest you could try some of these, there is much one can do:
change hammer hardness (voicing), change unison width tuning, use mint condition, try steinway d felt (or another felt piano) change the hardness (check equalization), try layering/morphing. In my opinion one can make a soft piano (but it can take some hours....) it is in any case worth trying .
I say, you change and develop gradually, hopefully into something different and more advanced. It can gradually become more clear and detailed and advanced. At best, how should I say….It can lead to the development of new and advantageous traits, making it a beneficial process overall in your music making.
Sorry if it got a little complicated but Swedish is my mother tongue, language, learned from birth.
Best wishes,
Stig