Topic: A Chinese pop song by Singaporean singer-songwriter Stefanie Sun
Piano presets used in this recording:
(Pianoteq)
Pleyel
New York Steinway
U4 Upright
C. Bechstein
YC5
(UVI Key Suite)
Grand Upright
F Grand
Model D
Modartt user forum » Recordings featuring Pianoteq and Organteq » A Chinese pop song by Singaporean singer-songwriter Stefanie Sun
Piano presets used in this recording:
(Pianoteq)
Pleyel
New York Steinway
U4 Upright
C. Bechstein
YC5
(UVI Key Suite)
Grand Upright
F Grand
Model D
Piano presets used in this recording:
(Pianoteq)
Pleyel
New York Steinway
U4 Upright
C. Bechstein
YC5(UVI Key Suite)
Grand Upright
F Grand
Model D
Wonderful!!!!
Now I notice something that I haven't heard before, it's the room acoustics, reverb. In some places it's as if the sound is close, 0,45, 1,38, sometimes a bit away, 1,50, or as if you stand a bit from the piano and turn away for a moment and then look at the piano again. Interesting, it gives life to the sound, to listening…. And it is in the right hand, these variations, soon like being in a concert...
Thank you k c Paul Li.
Best wishes,
Stig
Pianoteqenthusiast, Organteqenthusiast, Harpteqenthusiast, Harpsichordteqenthusiast, experimenter and Graf/Grimalditeqenthusiast and Celesteteqenthusiast
I've always been intrigued by artists who play with spatial elements in their music. It's reminiscent of some of my favorite artists who have also experimented with similar effects. Their ability to manipulate sound in this way adds an extra layer of depth to the composition and engages the listener in a unique way.
Delicate and sweet, very very nice!
I've always been intrigued by artists who play with spatial elements in their music. It's reminiscent of some of my favorite artists who have also experimented with similar effects. Their ability to manipulate sound in this way adds an extra layer of depth to the composition and engages the listener in a unique way.
It's fascinating how those subtle variations can transport you from feeling close to the music to creating a sense of distance. As if you're momentarily turning away from the piano and then back again, these techniques really bring the sound to life and make the listening experience more immersive, almost like attending a live concert.