I played the piece in real time, without the metronome.
And then I re-assign notes to different piano tracks,
to enrich tone colors.
11 Piano presets used in this recording:
A Petrof 275
NY Steinway D
K2 Basic
Steinway B
C Bechstein 282
Petrof 284 Mistral
Bluethner Model One
Grotrain Royal
Steingraeber 272
HB Steinway D
YC5 Basic
k c Paul Li,
First I liked the sound for Bach No 3, then the sound for Nocturne 19 and said you have succeded. Listening to this Impromptu, I say this is best so far. Like it much.
When listening to your wonderful playing I forgot it was Pianoteq, enjoyed and thought it’s a good sounding Grand piano.
Btw, you changed the Pleyel back to YC5 again. Anyway, in this piece the sound is great as it is now. Bravo!
The part from 0,21 - about 0,42 is beautiful and difficult part. If I had 88 fingers and one finger for each key, I would still never be able to play this part, would take year after year …and, no…
What else can I say - What a clear piano sound. There is a lot of work invested behind this! k c Paul Li, it’s excellent!
Best wishes,
Stig
Pianoteqenthusiast, Organteqenthusiast, Harpteqenthusiast, Harpsichordteqenthusiast and experimenter
p.s. Did you find the sheet to Hisaishi's "Friends" ?
Btw, you changed the Pleyel back to YC5 again.
The YC5 gives me the ROCKY Bass sound, you may hear it, especially in the Coda section.
Pleyel gives us a darker mood.