Topic: Lower registers on PianoTeq more likely to be affected by CPU speed?
I currently run PianoTeq 7 Standard on two aging Macbooks - one is essentially a 2009 MacBook Pro and the other is a 2010 MacBook Air. Neither has a CPU that meets the current standards suggested by Modartt. Both require limiting polyphony to avoid dropout, especially if I use PianoTeq as a plugin inside a DAW such as REAPER (which I do to add effects, e.g. I sometimes try the Waves NX plugin for head tracking to make playing with headphones more enjoyable).
Meanwhile my wife has a fairly up-to-date iMac, whose CPU does meet the standards suggested by Modartt.
All this is preamble to a comparison & a question:
I used the built-in "Blues demo" MIDI track to record a WAV file on my MacBook Pro with of the Grand Grotian models; then did the same with my wife's faster iMac. I then did some A/B listening with headphones to the resulting WAV files to see how they compared. The reason for this is that I'm thinking of buying a new computer that meets the CPU standards, provided I can determine ahead of time that it will be worth it. So this seemed a good way to find out.
Somewhat to my surprise, the upper registers (e.g. melody & ornaments played above middle C) sounded pretty much the same on both recordings. (I should mention that at age 66, my ears are getting old, so my high frequency perception isn't that great anymore.)
Meanwhile, a big difference - one that I noticed immediately & that was really quite pronounced - was how much richer & more vibrant the lower registers were on the iMac; even to the point of seeming slightly louder than on the MacBook Pro, where they seemed impoverished by comparison. For example, the walking bass which features in parts of the "Blues demo" sounded far more interesting & detailed on the iMac than the MacBook Pro.
I then poked around on the web to see if maybe lower registers are sonically more complex & thus (along with polyphony) would require more CPU to generate really well. I only came across one useful hit; this is a reprint of an old 1975 academic paper titled "Reconceiving Theory: The Analysis of Tone Color," by Robert Cogan. In the opening pages of that paper I found the following passage (I've cut out the irrelevant bits):
" . . . C1 on the piano . . . is a compound signal comprising numerous strong separate pitches, many of them distinctly audible (and producing noticeable beats) . . .
"As we ascend the piano's registers . . . the spectra change markedly. Beginning with middle-C (C4) the spectra are notably less rich. They reveal a falling off in quantity and intensity of higher partials, until with C8 only a single partial, the fundamental, remains. (This simple spectrum is, therefore, not shown.) In terms of spectrum as well as register, C1 and C8 of the piano stand almost at opposite poles."
Which might suggest my guess is correct . . . maybe.
Anyway, for anyone reading this who has compared PianoTeq quality on a "recommended" CPU to quality on a "dodgy old CPU to slow to get out of its own way", what was your experience? How did the difference in quality/complexity show up? Was it lower register, as I seem to be noticing; or polyphony; or something more general?