Further notes on the Stupid Human Trick:
1. Since turning the head around puts the ears and nose facing a wall or corner, the reverb settings need to be considered--the reflections may arrive a little earlier, or at least have more prominence. Dragging the bottom two Reverb pane sliders closer to the left side may give the sound still more of a pleasant presence. Or not.
2. Worth trying is moving the outward-facing head all the way to the edge of the square surrounding the piano as if that edge was a wall, so the nose is in the corner or against the wall, as though the head had misbehaved. The sound is not always automatically distant. Playing around with the Dry-Wet ratio can then create a plate reverb and various other hard-to-describe and probably-not-worth-describing sounds. A new range of piano sounds, however. (I'm not speaking of moving the head all the way to the actual wall that exists far outside the square--moving it there does create more distance than may be wanted, although with the volume turned up, the resulting sound might also be of use.)
3. Ideally, facing the head away from the piano also means that when the head twists off the body, which would presumably require that it has completed a full turn, it will not see the resulting ugliness imposed upon the piano, thus sparing it a final moment of anguish as consciousness is lost. Unless, of course, the head is set to automatically continue to revolve, a situation which would impose a regrettably less pleasant experience.
Last edited by Jake Johnson (18-09-2009 16:18)