Topic: D4 Tuning

I just upgraded my Pianoteq 3 PLAY for the Pianoteq 4 STAGE version last week and am still acclimatizing myself to the new model D4.  The dynamics appear to me to be much improved and the bass and tenor is richer without being muddy like the former C3 model.  However ...

Am I the only one to find the tuning to be perhaps a little off?  I actually think I prefer it this way ("character"), but there does seem to be something not quite "perfect" about the tuning.  In particular, if one tries out high treble octaves they do not seem to be "perfectly" tuned.  And if one adds these higher octaves to very low bass octaves, the discrepancy appears even more pronounced.  Is this just me, or is it perhaps that the D4 reference model (like the Pleyel) was modeled "as is"?  Or is it that some different kind of scale design was used?

Like I said, this is probably just my adapting to the new model and/or my ear beginning to go awry, but I would welcome other people's impressions.

S.

Re: D4 Tuning

A perfect tuning it's not always intented, but as you suggest, too perfect may be not perfect.

In version Pro you can tune key by key.

D4 it's based on a Steinway model D from Hamburg,  which I supose its a model usually tuned perfect, or too perfect to some tastes.

If you send a request for a "less perfect" tuning, maybe Modartt help you in the next update, adding a alternative tuning preset.

Re: D4 Tuning

Use a high unison width.

Re: D4 Tuning

Hello Slestrange,

I am a professional piano tuner who has over forty years' exposure to tuning various makes and types of pianos, whose conditions range from very good to downright horrible.  Please note that I do the following in Pianoteq PRO, but it is worth sharing with you the amount of de-tuning I perform on every Pianoteq model:  D4, C4, K1, Erard, etc.:

1)  Retain the stock settings of diapason (set to A=440Hz), and string length at 2.7m as a general starting point.


2)  I reset the tuning in the top 2 to 2-1/2 octaves to grow exponentially (curving upward per note) from +0 cents up to +25 cents.

3)  I reset the tuning from the bottom 1-1/2 octaves to flatten exponentially (curving downward per note) by about 10 cents.
Note:  The above 2) and 3) corresponds to the tuning of 9' grands to compensate for the natural inharmonicity in the strings.

4)  I slightly randomize the tuning by giving one or two clicks on the randomize button in Pianteq PRO to the above tunings, such that one does not necessarily hear any specific notes as being out of tune, but it contributes to the way a piano becomes within a few hours' playing of a concert tuned instrument.

Next, I go in and adjust the unison tuning of individual notes within Pianoteq PRO:

5)  I minimize the unison width for the single strings in the bottom octave or so, because single strings should not be out of tune with themselves -- unless they are defective and contain a twist in them.  The result of minimizing the unison detuning in the lowest octave is that no single string is able to "self-warble" -- an otherwise undesirable effect in any grand piano.  Restated, when one hears the lowest octave single strings warbling by themselves, it is an immediate clue that something is dreadfully wrong in any piano library.

6) Up about an octave from the bottom, where two strings first occur, I nudge a small "bump" in the unison tuning.  This is to simulate the difficulty of maintaining absolute tuning of two unison strings over time.  I generally taper off the degree of unison detuning, until I hit the area where the three strings come in -- and nudge an additional small amount of unison detuning, and then taper the effect off as one goes up the keyboard.

7) Next I wish to account for an amount of unison detuning that occurs in the uppermost two octaves, simply because these are the most difficult strings to tune correctly in unison.
After having performed 5), 6) and 7), I tend to hit the randomize button again.

Lastly, I wish to slightly unison detune the middle three octaves, simply because these are the notes that are played most often, and tend to go out of tune from simply playing the piano.

All of this sounds like a lot of work, but I can do all of the above steps within a few minutes -- and then freeze these settings for introducing into other presets.

The "trick" to all of the above is to perform the steps sparingly.  None of this should be done to the extent that the listener is consciously aware of what is happening.   On the other hand, if one does wish to make the piano sound deliberately detuned, then simply apply the above steps with much greater effect per step.  In fact, as the creator of the "SuperTonk" preset in the new D4 model, this is what I did to the various aspects of tuning.

Hopefully this might shed some light on how real pianos do not sound as antiseptic of many sampled pianos (whose notes' detuning I am unable to modify in this manner).

Cheers,

Joe

EDIT:  Upon reading your original posting, I believe your concern (about the lowest notes not being in tune with the highest notes) has to do with something called Inharmonicity.  You may wish to move the stretch tuning slider, to compensate for the overtones of lower strings not corresponding the the fundamental pitches of so-called correctly tuned notes.   This is essentially what I mention in Step 2) above; that is to say, to increase the stretch tuning.  I manually stretch the tuning in the uppermost octaves by up to 25 cents (half a quarter tone) sharp -- to compensate for what you may in fact be hearing.

Last edited by jcfelice88keys (24-05-2012 06:08)

Re: D4 Tuning

jcfelice88keys wrote:

I am a professional piano tuner who has over forty years' exposure to tuning various makes and types of pianos ...

(...)

Cheers,
Joe

Hi Jo,

if you don't mind, as i am lucky winner/owner of Pianoteq Pro, i will be happy (and some other people too) if you could post a fxp with all settings you speak about...

thank you

Rv

Re: D4 Tuning

Hello Rv,

Per your request, I have uploaded an fxp to the fxpCorner.  Please note that I had modified the D4 Classical Recording AB preset.  You may wish to freeze many or all of the parameters that pertain to tuning and voicing, so that you may apply them to other presets.

As stated in my earlier post, none of this was done to make the changes sound "obvious" -- subtlety is the main point to be made, here.  Upon first downloading my fxp, you might question what was changed; those people who own Ptq PRO are encouraged to step through the various edit windows.  It is only there where one may see the subtle changes I have made to the sound.

As you keep playing this fxp (either in Classical Recording AB, or any of your own selected presets with these modifications), I believe you will notice over time that the sound is slightly less "antiseptic" than in unmodified Pianoteq presets, and certainly better than in sampled piano libraries.

Cheers,

Joe

Last edited by jcfelice88keys (25-05-2012 20:45)

Re: D4 Tuning

jcfelice88keys wrote:

Hello Rv,

Per your request, I have uploaded an fxp to the fxpCorner.  Please note that I had modified the D4 Classical Recording AB preset.  You may wish to freeze many or all of the parameters that pertain to tuning and voicing, so that you may apply them to other presets.

As stated in my earlier post, none of this was done to make the changes sound "obvious" -- subtlety is the main point to be made, here.  Upon first downloading my fxp, you might question what was changed; those people who own Ptq PRO are encouraged to step through the various edit windows.  It is only there where one may see the subtle changes I have made to the sound.

As you keep playing this fxp (either in Classical Recording AB, or any of your own selected presets with these modifications), I believe you will notice over time that the sound is slightly less "antiseptic" than in unmodified Pianoteq presets, and certainly than in sampled piano libraries.

Cheers,

Joe

Hello Joe,

it is very nice from you...
i am sure a lot of people will appreciate,

thank you for this

Rv

Re: D4 Tuning

HI,

If I load an FXP created in Pianoteq PRO into Pianoteq Stage do all the tweaks also then work in Stage or is only part of the FXP used?

Thanks
Irmin

Re: D4 Tuning

I believe this is not possible on pianoteq Stage, unless I'm wrong.
But I'm sure it's possible on pianoteq Standart.


Irmin wrote:

HI,

If I load an FXP created in Pianoteq PRO into Pianoteq Stage do all the tweaks also then work in Stage or is only part of the FXP used?

Thanks
Irmin