Found that the translation of Koenig that the bio by David Pantalony discusses is available online and as a pdf without having to use an academic library subscription. It details the experiments in which Koenig discovered inharmonicity: "On the Simultaneous Sounding of Two Notes," trans by William Spottiswoode, president of the Royal Society, in The Philosophical Magazine of June, 1876:
http://books.google.com/books?id=h0HtyB...mp;f=false
A Google book, since the copyright has expired. The pdf can be downloaded from there, or http://books.google.com/books/download/...pWOt91RsKg
Koenig is using forks, here. No piano in sight. He seems to be saying that he's finding what we would call iH when combining the sound of several tuning forks, and that pure partials just don't exist in nature even when the near sine tones of forks are played together. (Alexander Ellis argued that his forks were bad.) I've seen recent articles arguing that forks have iH, too.
Just posting this out of historical interest. Koenig is of course discussed in many books, but the translations published at the time give his actual methods and figures as he discovers inharmonicity.
Alexander Ellis responds formally to this article in a later edition of his translation of Helmholtz's Sensations.... Section L, page 527, "Recent Work on Beats and Combinational Tones":
http://books.google.com/books?id=ncdfAA...mp;f=false
or the pdf is at http://books.google.com/books/download/...3_ALln3LbA
A long battle.
Last edited by Jake Johnson (27-03-2010 16:03)