here's another track i recorded recently, Wayne Shorter's "Children of the Night." i was mostly inspired by the recording by Art Blakey and the Jazz Messengers, which is the version i know the best. in some ways it's a less out-there tune by Wayne, but there are still some characteristic features of his stuff there.
here's another track i recorded recently, Wayne Shorter's "Children of the Night." i was mostly inspired by the recording by Art Blakey and the Jazz Messengers, which is the version i know the best. in some ways it's a less out-there tune by Wayne, but there are still some characteristic features of his stuff there.
This sounds amazing Budo! 'Children of the Night' is such a deep track, and your arrangement captures its mood perfectly. The rhythm and flow feel incredibly natural, and you really brought out the best of that Art Blakey-inspired energy. Masterfully played!
Carmelo
budo wrote:here's another track i recorded recently, Wayne Shorter's "Children of the Night." i was mostly inspired by the recording by Art Blakey and the Jazz Messengers, which is the version i know the best. in some ways it's a less out-there tune by Wayne, but there are still some characteristic features of his stuff there.
This sounds amazing Budo! 'Children of the Night' is such a deep track, and your arrangement captures its mood perfectly. The rhythm and flow feel incredibly natural, and you really brought out the best of that Art Blakey-inspired energy. Masterfully played!
Carmelo
thank you once again Carmelo! i'm so glad you enjoyed it. i'm happy that you got some of Art Blakey's energy out of it, he was a monster!
Nice swaying and swingy ballad !
here's another track i recorded recently, Wayne Shorter's "Children of the Night." i was mostly inspired by the recording by Art Blakey and the Jazz Messengers, which is the version i know the best. in some ways it's a less out-there tune by Wayne, but there are still some characteristic features of his stuff there.
Budo - incredible feel and harmony. It’s a bit of ”deep-water musicianship”.
High level of technical mastery, and improvisational fluidity!
This is really playing with profound intuition rather than just reading sheet music - without losing the thread of the composition.
And, as a contrast to your ”wild flow”, I love the enjoyable slow ending too, from 3,20 - end
Best wishes,
Stig