Topic by carmelo.paolucci

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Topic: Bach Sinfonia n 10 in G Major BWV 796

Dear Friends,

The Sinfonia n 10 in G Major BWV 796 has rigid rhythm, but flowing in 16th notes characterizes this piece. There is only one theme, built on a scale-like motif (upper voice, 1-2). The three voices take the main theme in
order, and here again there is a short episode before the third entry of the theme in the lower one.
Due to the scale like rapid move of the main theme one can miss the way Bach uses the ascending fourth (F# – B, 1). But this, direct and inverse, proves important in the entire piece (e.g. the upper and lower voices in (27-31). These fourths are augmented in the upper voices of
(22-25).
Enjoy your listening Bach from Italy

Carmelo
This video was recorded with these setting:
Played on Yamaha P125 piano stage, Tamara House.                                                                                                            Video Recording Samsung galaxy A54.
VST: Bösendorfer  VC 280 Pianoteq Stage 9
Editing: Wondershare Filmora
https://youtu.be/UJVdw0tTIUw?si=UHUnrAIgJX-Hsjfr

Reply by budo

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Re: Bach Sinfonia n 10 in G Major BWV 796

beautiful Carmelo!  there was a lot going on in this one.  i really enjoyed it

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Reply by carmelo.paolucci

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Re: Bach Sinfonia n 10 in G Major BWV 796

budo wrote:

beautiful Carmelo!  there was a lot going on in this one.  i really enjoyed it

Thank you so much for your comment Budo !
I'm really happy you've enjoyed my video.
Greetings from Italy
Carmelo

Reply by Pianoteqenthusiast

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Re: Bach Sinfonia n 10 in G Major BWV 796

carmelo.paolucci wrote:

Dear Friends,

The Sinfonia n 10 in G Major BWV 796 has rigid rhythm, but flowing in 16th notes characterizes this piece. There is only one theme, built on a scale-like motif (upper voice, 1-2). The three voices take the main theme in
order, and here again there is a short episode before the third entry of the theme in the lower one.
Due to the scale like rapid move of the main theme one can miss the way Bach uses the ascending fourth (F# – B, 1). But this, direct and inverse, proves important in the entire piece (e.g. the upper and lower voices in (27-31). These fourths are augmented in the upper voices of
(22-25).
Enjoy your listening Bach from Italy

Carmelo
This video was recorded with these setting:
Played on Yamaha P125 piano stage, Tamara House.                                                                                                            Video Recording Samsung galaxy A54.
VST: Bösendorfer  VC 280 Pianoteq Stage 9



Editing: Wondershare Filmora
https://youtu.be/UJVdw0tTIUw?si=UHUnrAIgJX-Hsjfr

Bravo! What a speed!
It is a playful, intertwining dialogue across three independent voices that requires excellent finger independence, and you do it so well. And the main theme is heard as it passes between the hands.
Incredibly well done performance this time!
Thank you carmelo

Best wishes,

Stig