Good evening,
This piece is in two parts: first, the wind, the piano, the rain. Friendly at the beginning, the rain becomes threatening when the piano stops, allowing the first notes of the brass to emerge and usher in the transition. After a final gust, the wind gives way to percussion, timpani, and the strident sounds of synthesizers and special effects.
For the vocals, I used Syngular.
Enjoy listening!
Good evening,
This piece is in two parts: first, the wind, the piano, the rain. Friendly at the beginning, the rain becomes threatening when the piano stops, allowing the first notes of the brass to emerge and usher in the transition. After a final gust, the wind gives way to percussion, timpani, and the strident sounds of synthesizers and special effects.
For the vocals, I used Syngular.
Enjoy listening!
Very well done! Enjoyed it much. Thank you bernard.
Loved especially section from about 3,50 to end. Amazing!
And thank you for the clear description. Nice to read how you think/work with the music. And nice to hear Steingraeber and Syngular. Like them both.
btw. If you have time, listen to this relaxing music. What do you think about.?
https://forum.modartt.com/viewtopic.php?id=12998
Best wishes,
Stig
Like an Oldield colour (to me). This is your hexatonic theme in the first part, isn't it ?
" C'est votre thème hexatonique dans la première partie, n'est-ce pas ?"
oui c'est bien ça je le tourne et retourne dans tous les sens je ne m'en lasse pas, merci pour l'écoute
Stig, merci pour le commentaire, j'ai bien divisé le morceau en deux parties distinctes, la première au piano j'ai essayé quelque chose de fluide, sensation que j'ai appuyé avec la pluie et le vent. opposées à ce coté "naturel" arrivent ensuite les cuivres, la rythmique mécanique et les sons de synthés métalliques qui envahissent le paysage sonore malgré les efforts des voix avec syngular qui essaient de s'opposer, au final le dernier accord qui passe en majeur est une lueur d'espoir
Good evening,
This piece is in two parts: first, the wind, the piano, the rain. Friendly at the beginning, the rain becomes threatening when the piano stops, allowing the first notes of the brass to emerge and usher in the transition. After a final gust, the wind gives way to percussion, timpani, and the strident sounds of synthesizers and special effects.
For the vocals, I used Syngular.
Enjoy listening!
Great work, Bernard, it's a truly moving piece, but very, very elegant...
Particularly from 1.52.
Greetings from Italy
Carmelo
un grand merci Budo et Carmelo pour avoir pris le temps d'écouter et de commenter, je suis ravi que cela vous ai plu.
je profite de l'occasion pour vous dire que je suis admiratif de la quantité et de la qualité de tout ce que vous arrivez à poster tous les deux
salutations du sud de la France
Bernard
