Topic: New Bach video Prelude n 14 in F-sharp minor BWV 859 from WTC 1
Dear Friends,
Today my journey to discover the wonders of Bach's WTC 1 takes us to F sharp minor.
The mood of both these prelude and fugue is elegiacal; still, with respect to depth of feeling, there is a marked difference between them. The prelude especially is related to the parallel key, the clear, joyous one of A-major, and in the whole of its motive material is of lighter formation than the fugue — dragging along with notes of long values and syncopations, and avoiding almost intentionally the key of A-major —, and gravitates rather towards the passionate one of C# minor. Perhaps one ought to look upon the prelude as landscape, on the fugue as soul-painting; in both it is the season of autumn, but while the autumn mood of nature casts, as it were, only a light shadow over' the landscape —, it is only a change of forms, the passing- away is an opening to new life — through the fugue runs a solemn awe — the question: to be or not to be!
The principal design of the prelude is an undulating movement in semiquavers, which sinks from the sixth to the fundamental note.
In addition, over a stationary bass, the middle voice gives short notes descending in parallel movement — are they drops of rain, or tears?
I'm sure you'll like it, or at least I hope so.
Happy listening and greetings from Italy
Carmelo
My actual setting is:
Played on Yamaha P125 piano stage Video Recording Samsung Galaxy A54.
VST: Hamburg Steinway D Pianoteq Stage 8.4.0