Beto-Music wrote:If I remamber well some noises algo got modelled in later versions of pianoteq
Philippe, do you confirm?
Philippe Guillaume wrote:Yes, I confirm. The most important changes in that regard during the past years were the modelling of the sustain pedal noise (the "whoosh" produced when raising the dampers) in full connection with the sympathetic resonances, and the hammer noises being also fully modelled.
Professor Leandro Duarte wrote:A 100% modeled piano; sounds like a piano and behaves like a piano. This is amazing!
Have to be with all due respect clear... I personally want to avoid semantics and clear up any possible ambiguity. You have to realize just any small number of noises regularly made by a piano of course cannot account for all sounds, and from all the piano models.
Be real!
(I am in no way mocking anyone’s advertising. My point is: no need to under appreciate an idea that of a modelled instrument now put forth, obviously! However, it just might depend on an introductory period for a musician to become completely familiar with bourgeoning terminology if he is to conceptualize anything at last that was itself maybe recently only in its infancy. I allege that since it could early on stand some developing, it was entered into the software market before it became mature to the point where it is of course today, and, way long before many are aware of it even possible. Numerous new ideas often come before technological advancements will turn them into something end users can lastly appreciate at their desktops.)
Modelled and Sampled are jargon to an industry. In it they appear loosely interchangeable whether the software you appreciably call a piano is mainly a result of modeling tech or sampling tech. (You see it and play at it as you do any other piano instrument.) And, let me say that is in itself remarkable as the definition of your piano is changing.
To the industry today a modelled piano which has samples is still a reference in terms that, it has been modelled er produced in a specific manner largely, although its rolling casters were excluded effectively from the undertaking, and importantly. I sometime like to present an argument of my own: if an instrument can’t permit you to detach its lid fully, when you would like to record it alongside another in a duet it ain’t really a piano! Equally, I like this one: if you don’t get a truly infinite number of velocities possible out of it, that doesn’t honestly replicate acoustic piano actions in all the true to life behaviors or the real world interactions produced by alive human beings having the alternatives the acoustic pianos fingered (struck) by those at the non-digital keybeds, musically.
(Thusly, digitals might fail miserably to reproduce the vast magnitude of authentic acoustic piano tones in abundance simply because of industry chosen limitations, specifically, the velocities read out of most consumer grade keybeds necessarily accompanying the digitals, but shortcomings software fails also to address. Oddly, industry people appear more than just inconvenienced momentarily by the demands of the artist gearing towards fast approaching technology. They seem all too eager to dismiss the validity of artistic expression rediscovered in even the most famous works of the arts. Musical pieces which require always literally thousands of intricate piano tones from the player to perform them. But, long accepted industry wide regulations set by corporate members and their representatives are currently abstricting such.)
Man, am I really now expected to get an impression of vivace out of possibilities (127) particularly because only they’re no more than what’s been industry standardized, and by corporate big wigs resistant to the change of winds er specifically percussion (instruments)! (Smile.)
No, that’s my response. I got now same as always some of my own polarizing to do! However, you may want to pronounce Tomato or Potato!
Last edited by Amen Ptah Ra (27-12-2020 06:22)
Pianoteq 8 Studio Bundle, Pearl malletSTATION EM1, Roland (DRUM SOUND MODULE TD-30, HandSonic 10, AX-1), Akai EWI USB, Yamaha DIGITAL PIANO P-95, M-Audio STUDIOPHILE BX5, Focusrite Saffire PRO 24 DSP.
