Etude Tableau Op. 39 No. 5, a Pre and Postproduction Production

This audio visual of Etude Tableau Opus 39 Number 5 has been created by various softwares and plugins I use: but basically by two softwares which are PIANOTEQ and SeeMusic.

The audio portion comes from a MIDI XP file taken from a Yamaha Disklavier (concert grand) piano performance.  That was subsequently made for distribution with software designed and coded by Dr. John Q. Walker entrepreneur and Southern Illinois University Edwardsville alumnus who since the early competition first began in 2002 has been recording the Minnesota International Piano-e-Competition in association with the School of Music at the University of Minnesota. 

The highly illustrative keyboard video portion I created, essentially, out of the e-Piano Junior Competition entry of the composer Sergei Rachmaninoff composition, Etude Tableau Opus 39 Number 5, as performed by junior contestant Feng Bian from China.  Whose original performance of this Etude Tableau Opus 39 Number 5 took place at Fairbanks, Alaska just as it was captured there in 2018.

Thusly, my rerecording by me is made possible in a large part here through the two (2) softwares which are SeeMusic —developed by Visual Music Design— and of course PIANOTEQ true modeling from the organization that is MODARTT: Models and Data for Arts and Technology.  (Just to quickly simplify this very first of its sort, YouTube video post entry from me, as a content creator, and have it easily referenced at the Modartt user forums, I readily used one of the PIANOTEQ default presets {Bluethner Concert Recording AB} and however without its limiter and reverb both.)  The other audio softwares have been used toward my pre-postproduction and especially as I was finalizing the video audio indeed to stream it.

I excepting my end user agreements at MODARTT and one at Visual Music Design, have no other affiliations expressly with any of the others specifically mentioned (above).  I've absolutely none whatsoever obliging me to them!

Although, if you're anybody curious enough to find out namely which other softwares exactly had been used, please either post your question or comment here or subscribe to my brand new YouTube channel where you can do simply each.

You alternatively may just post of course onto the channel, whether or not you're deciding right away if you would like to subscribe to it or will even sometime possibly a little later...

Personally, I feel glad now when an International Piano-e-Competition can make numerous very note worthy performances from up and coming talent like Feng's available  —and whenever because of it contestants like he are indeed free to get sorely needed exposure opened up to a larger community and general public.

Very much I'd like to know how you feel right now, if you care to post or subscribe!