Pianoteq 6.4 Changes

Oh yes, especially the B. So much more elegant!
Is it my imagination, or do the other pianos sound better also?

What does revoicing mean? Does it mean a change to the presets that any of us with the right version could make, or is it a deeper change?

i see, thanks

Just played 6.4 for an hour..Stein B did not seem very different to my hears. Maybe a little smoother. Stein D however sounds much better! More definition, richer bass. The D now seems a must have for me!
As for the Beckstein DG, I need more time with it. Initially, it seemed a little brash and cold, but tweaking rapidly improved it. The preset "snappy" is very nice, more bite than pretty much anything I have hear in PT.
Anybody else noticed the cool new sidebar display in the Effects section?

Very tasteful musical improvements - quick staccato to me feels and sounds more true and the textures of developing slow movements far richer and melded. The Steinway D and B have such new tone depth and character. Very happy also that the K2 had a revisit.

Well done! The Steinway D is much much better!!! To be rational, there are more balance between lower & higher registers, both in volume and timber. Lower keys are louder and have too much harmonics than highs in previous versions. The problem really annoyed me because the overly aggresive bass masked high notes and messed up the music. I'm satisfied that the problem has gone. Besides, higher range has fewer glass&crystal flavor which makes it more convincing now.

Yes, my impression is that on the Tinkerboard/ARM 6.4 gets CPU problem more often than 6.3, too, especially with the newer instruments. I'd like to play the Steingraeber regularly but the result on the Tinkerboard is not sufficient (the Steinway B is very nice, though). All in 44.1kHz.

I'd really like to hear from Modartt what their idea is on the ARM version; I like it a lot for practise, but than there seems to be no ARM hardware available on the market which is powerful enough to run it as a stage-ready instrument.

I'm also wondering what "polyphony" means for a software where you should always have a "state" of a complex combination of resonating strings and others parts of the piano, not a certain number of pianos all playing a single note and then mixed together with some extra-effects?

Although the intricate details of Pianoteq’s piano voicings are unbeknownst to me, I just want to say bravo to all at Modartt and the beta team that contributed to the latest revoicing.

It appears a marvelous scheme beckoning the listener to envision now discrete discernible sections, even the individual key placement of the keybed; upon which the pianist perhaps to become the virtuoso performs.

I may add; as once I compared the software Pianoteq to piano recordings, I today openly compare piano recordings to Pianoteq!  And, it’s affordable to the struggling artist anywhere!

Not sure if I'm the only, but I feel K2 (revoiced) have some trouble in the bass, from B1 flat to C2 sharp.
Sounds too ringing, too much vibration when reach F or FF or more

Because metronome changes were requested, apparently. By all means if you dislike it, use a DAW.

The best option would be to add some more volume level choices.