Topic: Changes in speaker position, changes in timbre
"Changes in latitudes, changes in attitudes"
So, as I feel that messing with Pianoteq is a sub-hobby that is keeping me from spending as much time actually learning to play the piano as I would otherwise do, I have swapped out my speakers to either side of my piano, changed the position of the new speakers, and noticed that I get what appeared to be huge changes in the treble of my Pianoteq presets (but not huge changes in my sampled pianos such as the Native Instruments The Grandeur and Alicia's Keys).
I was using Emotiva AirMotiv6 speakers, position to either side of the piano facing the ceiling, and then I tried to turn them towards each other, underneath the keyboard on their speaker stands, to see if that would give better imaging with respect to convincing my brain that the sound was actually coming from the piano. It worked pretty well, but was a little thin compared to the real piano (an upright 53 inch) played acoustically.
As I had purchased speakers before completing a TV/media room, I also had a pair of Emotiva Stealth 8 speakers that were currently unused. I put them in the same position as the AirMotiv 6 speakers, and, while they had much more presence, the bass was quite boomy. After not doing a great job of reducing the booming bass just by setting the switches in the back to reduce the bass output, I turned the Stealth 8 speakers on the speaker stands so that they now face behind and past me, towards the wall in back of me while I sit at the piano. This eliminated the boomy base, left me with excellent presence (where I can feel the piano as well as hear it, even at a low volume level), but made all of my treble sound too bright, such that I am going through my modified presets and reducing the hammer hardness – it's as if I had put thumbtacks onto all the hammers!
Points learned from this exercise, which is still in progress:
1) One person's favorite Pianoteq preset can become another person's least favorite preset, as the presets can vary greatly, especially with respect to brilliance and hammer hardness, depending upon the type of speakers and their orientation. In my case originally, the treble had been masked by the position of the speakers where they did not play directly to my ears but had parts of the piano intervening in the "line of sight" – they are quite different now that they have become, again, near-field monitors.
2) Especially looking at the behaviors of sound and simulated pianos in number one above, it's not clear to me why the sampled sound of the Native Instruments The Grandeur as well as Alicia's Keys has done very well for me, no matter how I have positioned or tweaked my larger or smaller speakers (not identical with different speaker positions, but wholly enjoyable and realistic sounding).
David