Topic: New K1 piano!
PTQ 3.6 with new K1 piano free to all registered users.
Go grab it folks, it sound fab!
PTQ 3.6 with new K1 piano free to all registered users.
Go grab it folks, it sound fab!
The best one yet, dare I say. I didn't quite like it at first, but that is until THIS happened:
Then I noticed the dynamics and depth and the sheer attack (n.b. Queen reference ) this piano has!
I haven't had much chance to play with it yet but the quick tinkle I had just now gave me a taste for more!
Nice demo, it certainly has plenty of dynamic range!
It's a beast!
K1 seems a very interesting and distint model.
Congratulations Modartt !!!
The Jazz demo (Modern Blues) sounds really very good to listen with this model.
http://www.pianoteq.com/listen?type=acoustic
But I think just 2 keys needs some small adjustments, as sound a bit out place.
Just a fast fix and it's ready to show.
Great, crashing fun listening to your Nonsense Improv, Evil Dragon. Brings out what the K1 can do.
Here's a little shoshtakovich snippet on K1 using latest CP33 velocity curve
http://www.forum-pianoteq.com/uploads.p...nippet.mp3
Chris
And it keeps getting better!
Well done Modartt!
Sometimes Pianos sound great when making a project but have trouble cutting through in a mix w/o EQ, etc.
K1 cuts through the live mix of a band really well while still maintaining its dynamics.
Also. I never really got into the mic placements until a member posted a nice realistic fxp. as if you were sitting front and center. Now I have decided to try and mix surround as is instead of mono.
I really dislike sample delay and phasing issues caused from " stereo " instruments being recorded into stereo channels pre mastering.
Just using 8 stereo tracks in a mix using this method is full of phase distortion ( muddy mix ). So I always use mono and then master to Surround or just 2 track.
With PTeq I had to reconsider this.
At first when I saw the announcement, upgraded and started playing I was surprised the "Demo" screen did not come up. Then I realized that this was an update! What an update!!
Great job and it keeps on getting better.
What an amazing team and an amazing instrument.
This kind of generosity reinforces my appreciation for this mighty plug-in. Far and away, Pianoteq is my favorite software instrument.
K1 sounds quite unique and lovely. Thank you for building it.
Thanks for the update. Good to see another piano model and one that is included with the base software instead of it being another addon.
I've only played with it for a short while but with some of the default settings it doesn't quite go well with the stuff I'm trying to play. Just not getting along with some of the notes towards the middle. It could be that I'm quite used to the M3 already though. I'll certainly keep messing around though.
I've only played with it for a short while but with some of the default settings it doesn't quite go well with the stuff I'm trying to play. Just not getting along with some of the notes towards the middle. It could be that I'm quite used to the M3 already though. I'll certainly keep messing around though.
Just curious: what stuff are you playing and what notes (or area) is not working well for you?
I use to say that the slow music are the best to test many aspects of a piano.
K1 is a step foward, great gift. But I found a small problem in G3. I'm sure it's very easy to fix.
Please play the midi using K1 Solo Recording and velocity curves in neutral adjust.
And tell me if you agree that there is a little problem in G3.
http://www.forum-pianoteq.com/uploads.p...n%20G3.mid
Note that I tried the same begining transposing octaves up and dow, and was excellent, just the octave of G3 had this little few problem.
The trebble it's very good in this model. I don't understand why some people complained about the trebble.
Define "little problem"?
Little problem in this case: A problem that is easy to fix and it's not always present, but just in some ocasions (specific music sequence).
Didn't you noticed the notes sounding excessively dissonant in the octave of G3 for the begining of this music?
For me the excess of dissonance, in this particular notes combination, it's a problem, as it make the start of the music anoying.
Please folks, don't tell me that I'm the only crazy who notice that .
Define "little problem"?
I wouldn't really say it's excessively dissonant. It could use a bit unison tuning only for that key, yeah. That would be a job for someone with Pro version...
But to tell the truth, I don't find it particularly annoying...
Maybe only people from my planet notice that...
Háaa háa háaa...
Sometimes I feel like a alien in this forum.
I wouldn't really say it's excessively dissonant. It could use a bit unison tuning only for that key, yeah. That would be a job for someone with Pro version...
But to tell the truth, I don't find it particularly annoying...
I think aliens are in the majority on this forum.
And no I don't hear anything terribly wrong.
The minor tenth (G to B flat) is OK as it would be on a well tuned grand, but raising the B flat an octave will sound very much like Pianoteq.
If you want to hear some interesting harmonics, go to this site, find Borodin, and download "In The Monastery".
http://www.piano-midi.de/midis.htm?modu...me#Borodin
More of us must get out more often and try real pianos (this applies to me too of course), because soon we start to hear "things" that are part of reality.
Glenn
i like the k1 piano in the mid and upper registers, especially the upper registers.
however, there is something weird about the bass when played loudly. i noticed it when listening to the gershwin demo recording.
i like the bass better on the c3 piano. but something in the mid range i don't like on the c3 piano.
...whatever. pianoteq is great. i was already more than happy with the version i had. now i have an upgrade!
Well, it's not a limitation of pianoteq, since they can change it easily.
Maybe just a preference they choose. But only for this octave... uhhnnn... Why leave only one octave with that?
But for me, particulary speaking, it spoils a bit the beginning of the music (just the begining). I remamber I had played it in about 3 real pianos, in a music schooll, and none had such dissonance effect for this specific notes combination.
Gershwin with K1, in the very final moments of the music demo, the intense moments with strong bass strikes, had some characteristics that would fit better with a different bass, or different bass at least for FF and FFF.
But the softer segments sounds great, specially the very realistic trebble.
I remamber the first version of pianoteq, when everyone complained about the trebble be like weird bells. Nice to quote how pianoteq trebble got better and better version after version.
Beto-Music,
I really don't hear any problem with that G. (I think you mean the G below middle C? G2 in PianoTeq.)
But maybe the tuning is different from what you're accustomed to--too much or too little stretch? Have you tried adjusting the stretch or going into the Detune note edit pane and changing just that note? Or as the Dragon sez, it could be the unisons or a combination of the unisons and the tuning. Could it be that the high Gb is the problem?
I mean G3 cxount the first G as G1 and not Gzero.
Not the G so much, if we think in it alone, but the G with B flat two octaves above.
And maybe you are right, just a matter of taste.
Ok, I will try to change tune for this note.
Thanks
Beto-Music,
I really don't hear any problem with that G. (I think you mean the G below middle C? G2 in PianoTeq.)
But maybe the tuning is different from what you're accustomed to--too much or too little stretch? Have you tried adjusting the stretch or going into the Detune note edit pane and changing just that note? Or as the Dragon sez, it could be the unisons or a combination of the unisons and the tuning. Could it be that the high Gb is the problem?
Didn't you noticed the notes sounding excessively dissonant in the octave of G3 for the begining of this music?
Beto -I don't think you mentioned how you were monitoring Pianoteq. Have you tried listening through headphones, other speakers, burned to CD and listened in your car, etc. ? Be good to totally rule out your speakers and principle room. Just a thought if you hadn't already tried it.
I only had a slight chance to fire up the K1 before but this time I did get a chance to try it with my headphones on with a much better result. I guess the notes that I didn't like before weren't exactly the treble but rather in the range right below middle C. Some of the notes just seemed to go "thunk" and seemed somewhat weak even with a sustain pedal down. This is a fairly clear sounding piano though and the difference in levels of sustain is quite clear when switching between this and other models. I'm guessing this may be why it sounds better for fast passages. Of course, the stuff I play (quite a bit of Ludovico Einaudi and somewhat minimal music) may not be the best on the K1. If you are curious to what some of the pieces that I play sound like feel free to look at my youtube channel ( http://www.youtube.com/user/bagofholding )
Some of my recent uploads are using pianoteq however youtube has really been butchering the audio quality lately. I've also only been playing for just over two years and am self taught and have a lot of room for improvement yet.
I'm not ready to put away the K1 yet though. I'll try to make some adjustments and see if I can get something I really like.
i like the k1 piano in the mid and upper registers, especially the upper registers.
however, there is something weird about the bass when played loudly. i noticed it when listening to the gershwin demo recording.
i like the bass better on the c3 piano. but something in the mid range i don't like on the c3 piano....whatever. pianoteq is great. i was already more than happy with the version i had. now i have an upgrade!
I think I hear it exactly same way: K1 is MAJOR improvement in mid to high registers. To my ears it gives more presence, more clarity (with K1 there's no need to mess with EQ), more "woodness". Unfortunately low mids and bass are more problematic and especially when played louder (to my ears this unwanted character is there in C3 and M3 too but with K1 it has increased a little bit).
Same feeling for me....weird bass, tone is not so open like C3. Will try to play with settings....
I love that K1 bass notes. One word - THUNDER!
This kind of generosity reinforces my appreciation for this mighty plug-in. Far and away, Pianoteq is my favorite software instrument.
K1 sounds quite unique and lovely. Thank you for building it.
+1
It's so nice to have all these different pianos available. May I say I like "C3 Worn-out" still better, but my taste changes every now and then...
There is one thing I can say about the range right below middle C that is good though. It doesn't tend to have a sort of electric piano type sound which can plague some of the other presets. So, I guess in some ways this is a fairly big step forward.
You could try transferring elements from one piano to another. I've posted some fxp files in the Files section just for fun. Transferring the K1 piano unto other models. See what you think.
I did a mistake when tested K1 for the very first time.
After installed I started and choose the same velocity curves that I was used to many pianoteq models.
K1 seems to have a different velocity curve sensibility, but I didn't immediately noticed, and imagined that was just a volume adjust to make.
As result I got strikes like F or so to, for what would be MP and MF, and the sound for stronger strikes get more metalic as we know, leading me to judge the whole bass a bit unfairly
With aproprietade velocity curves it sounded better.
K1 bass fits much better to soft music, low velocities. The trebble fits okay in almost everything.
Who had a similar experience, about forget to find a proper velocity curve to a new model and as result judge hastily?
Or am I the only fool who did such silly mistake? :-)
Beto:
If you were the only person to make a mistake like that, you would be in a minority of one.
Glenn
Here's a little shoshtakovich snippet on K1 using latest CP33 velocity curve
http://www.forum-pianoteq.com/uploads.p...nippet.mp3
Chris
Piano Concerto no. 2 I believe. Well played! I'm off to get the sheet music!
Piano Concerto no. 2 I believe. Well played! I'm off to get the sheet music!
enjoy
Hi,
I was hoping that somebody here in the forums could offer me some guidance. I have purchased Pianoteq but I am having extreme difficulty in getting it to sound like a real piano. I notice especially in the mid range (around middle c (C3 piano) that it sounds like a synthetic electric piano. I have tried playing around with the mic positions etc but to no avail (Not that I really know what I am doing here). I personally find the K1 piano very harsh and sounds strange in the base register. I am using an M-audio fast track external soundcard and a fast pc. When I listen to the youtube video of Hugh Sung playing Claire de Lune it actually sounds fantastic but I (As well as other users based on the youtube comments) have failed to get pianoteq to sound like this. Has anyone any suggestions please....Thanks in advance
Hi,
I was hoping that somebody here in the forums could offer me some guidance. I have purchased Pianoteq but I am having extreme difficulty in getting it to sound like a real piano. I notice especially in the mid range (around middle c (C3 piano) that it sounds like a synthetic electric piano. I have tried playing around with the mic positions etc but to no avail (Not that I really know what I am doing here). I personally find the K1 piano very harsh and sounds strange in the base register. I am using an M-audio fast track external soundcard and a fast pc. When I listen to the youtube video of Hugh Sung playing Claire de Lune it actually sounds fantastic but I (As well as other users based on the youtube comments) have failed to get pianoteq to sound like this. Has anyone any suggestions please....Thanks in advance
It is a matter of customising the velocity curve in pianoteq for your particular keyboard. Go over to the Keyboard Velocity Curve forum and look up your particular keyboard. It should be of help to you.
p.s. which keyboard do you own?
Chris
Have you found the Files section of the forum, too? You'll find many fxp's there. You might find a demo mp3 there that you like and then download the fxp.
But I agree with sigasa that getting the velocity curve right for your keyboard is essential.
Hi,
...When I listen to the youtube video of Hugh Sung playing Claire de Lune it actually sounds fantastic but I (As well as other users based on the youtube comments) have failed to get pianoteq to sound like this...
This sums up my thoughts from day 1 with all PT versions - fantastic product though it is, i.e. I listen to other performers' results and (not withstanding playing ability standards) I can't get near. I have always thought that my problem lies in that I have a somewhat non-standard set-up by way of a Pianodisc Silent Piano MIDI add-on to my acoustic piano. This begs the question: does anybody here have a similar system/problem. Maybe a new thread if nobody answers this?
I even contacted Hugh Sung once to check his reverb settings but other than that he (at that time anyway) ran at default. Playing around with the velocity curve does not improve things - quite the opposite.
Surely the key here is that if somebody else's performance MIDI (eg Hugh's) is loaded into PTQ, or even running the default song, it sounds great - for me anyway. So matching up to the keyboard is the answer. Not easy for me so far...
So, how would it be if someone could kindly load this to test in their set-up? How does it sound? Is this a valid test or am I missing something?http://www.forum-pianoteq.com/uploads.p...%20day.mid
Note: You are judging the sound not the pianist!
Thanks, Paul
Good / bad sound comes very much from players fingers and fine nuances how he/she can balance for example chords and melodies. Listening to my students I am still amazed how different the same piano and even same song can sound when played by different students of different levels.
Good player like Hugh Sung can adapt his playing to get best out of some virtual instrument like PTQ. This is maybe mostly unconscious process. They don't only match their keyboards velocity to software - which is important of course - but also their own playing. I can for example see that when I improvise with PTQ, I play different things than when I play some other piano sound. With PTQ I tend to play higher notes and use more pedal; these are qualities that are IMO the best part of it. On the other hand I tend to avoid some musical things that aren't sounding that good (in lower area). Of course you cannot make these choices when you play written composition.
These are also things to keep in mind (and we've been speaking about them earlier): player usually wants to hear different piano sound than he likes to listen to from CD for example. I personally experienced this when choosing a Rhodes sound to my recording (MIDI track was already there): the sound which was working best in this musical situation was maybe the last one I'd like play with.
And finally also latency issues have an effect to perception of sound: piano "sounds" better when you can rid of latency.
So, how would it be if someone could kindly load this to test in their set-up? How does it sound? Is this a valid test or am I missing something?http://www.forum-pianoteq.com/uploads.p...%20day.mid
Note: You are judging the sound not the pianist!
Thanks, Paul
It is a very valid test. What we're getting is midi straight from your midi strip. This will enable us to work from an exact source.
I will work on the velocity curve Paul.
I'll see what I can come up with,
Chris
Paul,
How does this midi file sound to you if you just let it play in the Standalone version? It sounds fine, here. A little loud, and I might change the velocity\dynamics a little to give it a wider range of volumes, but the essential sound is good, here.
If the sound is bad for you, could you record it using the standalone version of PianoTq and then post an mp3 of it? (File\Export Wav file and then convert the wav file to mp3 in an audio program.) The Files section has a link at the top of this forum for posting.
Are you using the Standalone? Please do. It's a better way to test--with a sequencer or host in the middle, it can be hard to know what's going on--there can be additional velocity curves, etc that can be hard to find.
If you post the file, we can all listen to the same thing at once.
If the problem is more with the physical midi bar on your piano, could you record that? Are you set up with a mic or two? Don't worry about getting a great sound if the problem is just the velocity response. Again, though, it helps if we can all hear what you hear...
Good idea Jake!
Paul/Jake
http://www.forum-pianoteq.com/uploads.p...%20day.mp3
I made a demo mp3 using the default 'moderately fast keyboard' curve in pianoteq.
.fxp to follow
Chris
. . . player usually wants to hear different piano sound than he likes to listen to from CD for example. I personally experienced this when choosing a Rhodes sound to my recording (MIDI track was already there): the sound which was working best in this musical situation was maybe the last one I'd like play with.
The perspective, or the position where one is sitting or hearing the piano from - has a large effect on our perception of how good/bad the sound is.
Case in point - on Saturday while visiting my piano dealer friend, a potential customer walked in looking for a small to medium grand. Whenever she sat at one of the pianos, the dealer folded the music stand down. He knows that the pianist will hear a much more direct and somewhat better sound than with the music stand up. This is a minor effect compared to where one is standing in the room, or what microphone position is used, or the number of microphones that are used in Pianoteq.
Another point: If one listens to the Pathetique wave file I posted, and reads the replies to my post, one soon realizes that the "test" receives different answers from different listeners. Surely they are listening to the same file (I only posted one, and it contains three snippets).
I believe that if I had a midi file of Andras Schiff playing, I could have fooled many people as to which was the acoustic piano. Our perception of what "sounds right" seems to be at least part based on our sound system, and is certainly influenced by what we have been conditioned to believe is the "right" sound.
http://www.forum-pianoteq.com/viewtopic.php?id=1312
I've concluded that this whole subject of what sounds best is extremely subjective.
Glenn
http://www.forum-pianoteq.com/uploads.p...20Paul.fxp
Paul, the above .fxp is only very slightly different to that use in the mp3 in my last post, but produces a better sound (I'd made the mistake of shifting the dynamics slider up to 60 instead of 54 which is the K1 default dynamics position). I corrected this in this .fxp.
I will post an mp3 with the correction next.
Chris
http://www.forum-pianoteq.com/uploads.p...202%20.fxp
actually, this .fxp is more balanced.
http://www.forum-pianoteq.com/uploads.p...ay%202.mp3
Paul,
I've just had a thought, can you change the sensitivity of the midi sensors installed in your grand piano? I mean, do you have options to choose 'hard, medium or soft touch'? If you can, Could you produce a midi file using the 'hard touch' option so that se can create a curve that is s shaped allowing for your playing style. One thing I notice in the midi file you posted is the leap in velocity at the beginning of the piece. It's not a fault in your playing.
Paul,
How does this midi file sound to you if you just let it play in the Standalone version? It sounds fine, here. A little loud, and I might change the velocity\dynamics a little to give it a wider range of volumes, but the essential sound is good, here.
If the sound is bad for you, could you record it using the standalone version of PianoTq and then post an mp3 of it? (File\Export Wav file and then convert the wav file to mp3 in an audio program.) The Files section has a link at the top of this forum for posting.
Are you using the Standalone? Please do. It's a better way to test--with a sequencer or host in the middle, it can be hard to know what's going on--there can be additional velocity curves, etc that can be hard to find.
If you post the file, we can all listen to the same thing at once.
If the problem is more with the physical midi bar on your piano, could you record that? Are you set up with a mic or two? Don't worry about getting a great sound if the problem is just the velocity response. Again, though, it helps if we can all hear what you hear...
I have posted an exported mp3 http://www.forum-pianoteq.com/uploads.p...%20day.mp3
I'm interested in how this compares to the MIDI result.
Actually I'm not saying the sound is 'bad' - just not as good as I hear from other quarters.
I really appreciate the time and effort from you guys and I will revisit this again and try your tweaks tomorrow.
Thanks, Paul
This is what I hear: All of the notes are loud and bright so the individual notes don't have definition? No subtly?
I would:
1. Turn off the Limiter (lower right corner of the interface) and possibly reduce the volume a little.
2. Experiment with the Dynamics slider (lower pane in the middle). More to the right increases the dynamic range--in other words, the hard strikes and soft strikes have a wider number of degrees between them.
3. You may want to soften your Piano hammer strikes a little.
4. Experiment with various curves in the Velocity pane. Seems as though it's getting loud fast.
5. But you don't want to use all of these things too much. Otherwise, you'll end up with just a muted sound. Make small adjustments first.
Getting the keyboard response is the most difficult thing. The piano is just going to sound loud and bright as long as it's off.
But do understand that every time you load a midi file, you are loading a file created using someone else's controller, with adjustments made for that controller, so you'll need to make changes.