Hello and thanks for the reply. Yes, the chain I was using was : my program sends sysex with retuning of one note (real-time MTS) followed by a noteon message with that note. The MTS messages are cycling through different notes to allow maximum polyphony as the preceding notes may have tails. I am curious to learn about the working chain you mention, with MTS-ESP Master (a paid software) BEFORE a MTS-ESP client, followed by PTQ. Which client is this, and how is it configured? Thanks
Marc
Since it appears that this forum doesn't permit pasting in, or uploading screenshots in posts, I was unable to provide them earlier, although I made some to share that would've clarified on some details...
So, yes, it will require MTS-ESP Suite, which features two plugins: MTS-ESP Master, and MTS-ESP MIDI-Client.
For MTS SYSEX microtuning, the MTS-ESP MIDI-Client plugin instance would need to be placed before Pianoteq (or others that can be tuned with MTS), then from the top-right Preset menu options, choose from the MTS SYSEX Bulk or Single Note options (sounds like the latter is what's needed in this case).
Then when the tunings are changed in the MTS-ESP Master Scale List, MTS SYSEX dumps will be transmitted from MTS-ESP MIDI Client to the instrument after.
In testing this early on, I've not experienced any of the anomalous behaviors you've found, but rather the MTS tuning was robust and reliable.
For anyone that needs to work in these ways and with a wide range of musical intonation systems, MTS-ESP Suite is well worth the small investment. It just makes all of this so much easier to manage, with the added benefit of being able to save MTS-ESP Master Scale List presets, but recall all of the parameters of MTS-ESP MIDI Client as well. It's an elegant way of working.
Last edited by JL (12-02-2023 01:29)