I listened to this last night and found it an excellent piece to get lost in before going to bed. I enjoyed how this piece really allows the piano and room to breathe. Very neat.

This is also one of the few Pianoteq recordings where I was debating if what I was hearing was Pianoteq or a physical piano. Often I hear artifacts like an electric piano sound or a chords that decay into pure tones like electronic chimes. None of that here.

Lovely playing!

Thanks so much; that's a lovely compliment! I'll post the preset I used on the forum.

This is also one of the few Pianoteq recordings where I was debating if what I was hearing was Pianoteq or a physical piano. Often I hear artifacts like an electric piano sound or a chords that decay into pure tones like electronic chimes. None of that here.

Lovely playing!

I discovered Southam's work during the lockdowns of 2020. Her 'Glass Houses' is fantastic too, though very demanding to play in its entirety. 'Simple Lines of Enquiry' is sublime.

It's a slightly adapted version of the NY Steinway Prelude. That's the preset I tend to gravitate towards for most of my playing.

(And sorry for the late reply; I was abroad.)

I recently made a recording of 'Soundings for a New Piano', a late twentieth-century classical piano composition in 12 movements (plus an interlude that precedes movement 8) by the Canadian composer Ann Southam (1937-2010).

You can listen to it here: https://soundcloud.com/jan-van-dijkhuiz...no-ii-1986

Best wishes,

Jan