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	<title type="html"><![CDATA[Modartt user forum - Odd sustain pedal behavior?]]></title>
	<link rel="self" href="https://forum.modartt.com/extern.php?action=feed&amp;tid=783&amp;type=atom"/>
	<updated>2009-09-10T03:20:01Z</updated>
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	<id>https://forum.modartt.com/viewtopic.php?id=783</id>
		<entry>
			<title type="html"><![CDATA[Odd sustain pedal behavior?]]></title>
			<link rel="alternate" href="https://forum.modartt.com/viewtopic.php?pid=6018#p6018"/>
			<content type="html"><![CDATA[<p>Tell me if I&#039;m either imagining things or mistaking what should be happening.</p><p>Experiment: Play a mid-range note and while holding the note down, press the sustain pedal and then release it.&nbsp; Notice the drop in volume of the ringing note?&nbsp; Now repeatedly press the sustain pedal, let the harp resonance build, then release the pedal.&nbsp; To me it sounds like the ringing note decays much faster than it otherwise would, like the dampening of the harp resonance is &quot;stealing&quot; a bit of the resonance of the primary note.</p><p>It&#039;s been so long since I&#039;ve played on a &quot;good&quot; acoustic piano.. Is this physically accurate?&nbsp; Is there any way that adding and removing harp resonance can make the primary note decay faster?&nbsp; I would think that if anything it should make the primary note ring slightly longer.</p><p>I&#039;ve encountered it in a few songs where I have to hold melody notes and pedal out other notes.&nbsp; It doesn&#039;t seem to affect the lower octaves nearly as much as the middle and upper octaves.</p><p>Thoughts?</p><p>EDIT: For the record, I&#039;m using C3ls, but I hear it some in C3 as well.</p>]]></content>
			<author>
				<name><![CDATA[JerryKnight]]></name>
				<uri>https://forum.modartt.com/profile.php?id=983</uri>
			</author>
			<updated>2009-09-10T03:20:01Z</updated>
			<id>https://forum.modartt.com/viewtopic.php?pid=6018#p6018</id>
		</entry>
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