Pianoteqenthusiast wrote:A foretaste of my forthcoming Festmusik.
Festmusik (Stig Gustav Schönberg 1958, swedish composer and organist) is my work in progress. This is the beginning of a 5 pages piece, probably a long process for me - difficult, certainly, but worthwhile. I got through Händel Hallelujah, somehow. But this seems to be 10 times more difficult…
I heard it first time 1971, standing beside the organ, and the organist had only 4 fingers on left hand! I never forgot what I heard, a Masterpiece, a work of outstanding artistry.
Of course, at that time, I was absolutely sure not to be able to play it, never.But now, I find a tremendous joy to ”command” (as I have learned to say) Organteq with Schönberg’s style. ”Especially the less restricted, quasi-improvisatory forms of the Baroque (toccatas and preludes) and various models of thematic development”.
I hope I get it right one day, and can bring to other people, what gave me such a tremendous joy 1971, and gives me now again, when playing OrganteqLet this be an example of how it sounded, before I could play it right, when I struggled, and an appetizer intended to stimulate the appetite for listening, when the entire recording is completed, at some point
Simply wonderful. Great job!!!
Thank you for your kind words and for your encouragement!
]]>A foretaste of my forthcoming Festmusik.
Festmusik (Stig Gustav Schönberg 1958, swedish composer and organist) is my work in progress. This is the beginning of a 5 pages piece, probably a long process for me - difficult, certainly, but worthwhile. I got through Händel Hallelujah, somehow. But this seems to be 10 times more difficult…
I heard it first time 1971, standing beside the organ, and the organist had only 4 fingers on left hand! I never forgot what I heard, a Masterpiece, a work of outstanding artistry.
Of course, at that time, I was absolutely sure not to be able to play it, never.But now, I find a tremendous joy to ”command” (as I have learned to say) Organteq with Schönberg’s style. ”Especially the less restricted, quasi-improvisatory forms of the Baroque (toccatas and preludes) and various models of thematic development”.
I hope I get it right one day, and can bring to other people, what gave me such a tremendous joy 1971, and gives me now again, when playing OrganteqLet this be an example of how it sounded, before I could play it right, when I struggled, and an appetizer intended to stimulate the appetite for listening, when the entire recording is completed, at some point
Simply wonderful. Great job!!!
]]>Festmusik (Stig Gustav Schönberg 1958, swedish composer and organist) is my work in progress. This is the beginning of a 5 pages piece, probably a long process for me - difficult, certainly, but worthwhile. I got through Händel Hallelujah, somehow. But this seems to be 10 times more difficult…
I heard it first time 1971, standing beside the organ, and the organist had only 4 fingers on left hand! I never forgot what I heard, a Masterpiece, a work of outstanding artistry.
Of course, at that time, I was absolutely sure not to be able to play it, never.
But now, I find a tremendous joy to ”command” (as I have learned to say) Organteq with Schönberg’s style. ”Especially the less restricted, quasi-improvisatory forms of the Baroque (toccatas and preludes) and various models of thematic development”.
I hope I get it right one day, and can bring to other people, what gave me such a tremendous joy 1971, and gives me now again, when playing Organteq
Let this be an example of how it sounded, before I could play it right, when I struggled, and an appetizer intended to stimulate the appetite for listening, when the entire recording is completed, at some point
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