Wonderful Paul - Thank you for sharing.
I love the relaxed nature of your playing and the sensitivity of touch that goes 'hand in hand' with this.
Bravo
Many thanks. Very kind compliment and very much appreciated. Warm regards
]]>I love the relaxed nature of your playing and the sensitivity of touch that goes 'hand in hand' with this.
Bravo
]]>Very nice interpretation, full of sensitivity and delicacy, with great technical accuracy.
I'm sure that no sampled piano would allow such a quality. Thank you Pianoteq !
I very much like this post of yours. Although like many I’m basically self-taught at a piano, I truly get a reassuring example of someone obviously aware of his use of intonation through the phrasing with the piano instruments, Kawai keyboard (controller) and PIANOTEQ (software) appropriately you used to post your wonderful rendition of Beethoven.
You really seem in it to have discovered your own individual voice or just quite that of the software voicing parameters, even though inside a mainly period piece.
Whether or not any others are ever going eventually to fully appreciate this comment, remaining true to myself, as a listener I feel only absent from you was a sense of the period of the music coming to complete the fine performance of the historical piece, in enough or more than enough old world authenticity or anything that alludes to it, possibly, to add some familiar finish to it in a widely accepted underlying undeniable style. That a preamp as discussed earlier at this forum possibly might impart or leave with a certain indisputable impression left upon any who play or honestly appreciates music of Beethoven.
Shamelessly, I too plug a topic post of my own, namely Vote Yes or No for Pres.
So, I’m wondering if you, by your knowledge of his music and how one truly is to play it, care to comment one way or another at the other topic. Do you care to leave a comment there irrespective of my own partial views? I’m sure any input coming from you is some very much appreciated and respected as well.
Beautifully played again, paulvanbladel! Like your playing JS Bach Prelude & Fugue (a 4 Voci) in c minor BWV 871. It brings a lot of joy. You inspire me to work on my new projects and follow my dreams. Thank you for sharing your talent with us all and giving these opportunies to listen, listen, not hear (I think hearing is passive You use Steinway again? Wonderful sound, like keeping my head near the lid and strings
Thank You. I think it's the bechstein.
]]>You really seem in it to have discovered your own individual voice or just quite that of the software voicing parameters, even though inside a mainly period piece.
Whether or not any others are ever going eventually to fully appreciate this comment, remaining true to myself, as a listener I feel only absent from you was a sense of the period of the music coming to complete the fine performance of the historical piece, in enough or more than enough old world authenticity or anything that alludes to it, possibly, to add some familiar finish to it in a widely accepted underlying undeniable style. That a preamp as discussed earlier at this forum possibly might impart or leave with a certain indisputable impression left upon any who play or honestly appreciates music of Beethoven.
Shamelessly, I too plug a topic post of my own, namely Vote Yes or No for Pres.
So, I’m wondering if you, by your knowledge of his music and how one truly is to play it, care to comment one way or another at the other topic. Do you care to leave a comment there irrespective of my own partial views? I’m sure any input coming from you is some very much appreciated and respected as well.
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