A little something composed a couple years ago. The 'cello comes from EWQL and the piano, Pianoteq's Digital Bechstein placed in a moderate room with mics generously spaced. EQ has been applied between 1k and 4k to deal with some of those aggressive highs around high C and their overtones. Remember these are the frequencies we hear best so velocity numbers in the editor have to be taken with a grain of salt. There is always the debate whether to bring down the velocity on offending notes or just bring in the EQ. There are tradeoffs but I am only beginning to think of ramifications. Another possibility is just having the mics further from the piano. Your thoughts?https://soundcloud.com/george-tingley-8...-and-piano
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