Modartt user forum - Video about a Bechstein restoration that makes an interesting point

Re: Video about a Bechstein restoration that makes an interesting point

null@example.com (Jake Johnson) — Wed, 30 Jan 2019 15:20:13 +0000

I think he's saying that Bechstein coordinated the differing inharmonicities to create the singing tone, but the imitators may still be struggling with it. Remember, of course, that this is a Bechstein technician speaking in a video created by Bechstein.

I'm surprised no one has requested the new feature: Separate controls over the length of each string in each unison. Might be lovely to have. Might tax our cpu's?

Re: Video about a Bechstein restoration that makes an interesting point

null@example.com (Beto-Music) — Wed, 30 Jan 2019 14:02:27 +0000

Jake, I'm not sure if I got right here (timecode) :

https://youtu.be/vgecQ1uytSA?t=490

If this is not developed as today, how it can have a special singing quality that it's suposed lost in modern pianos?

Video about a Bechstein restoration that makes an interesting point

null@example.com (Jake Johnson) — Mon, 28 Jan 2019 19:38:15 +0000

A Bechstein-created film about the Bechstein restored for Wigmore Hall in London.

https://www.youtube.com/watch?v=vgecQ1uytSA

Makes an interesting point about unisons at around 8:16: Each unison string is a different length, so each will have a slightly different inharmonicity, creating many
near-matches and near-misses for the partials as the unison tuning changes, contributing to what the technician here calls "singing" and "color" in the unisons.

He goes on to say that Steinway and others were all attempting similar things to create this extra dimension, as he also calls it, but that he's not sure that they got it right!