Pianoteqenthusiast wrote:

About your clever title: in the 1970’s in my school we used ti (not si). Because a 5 was so and raised 5 was si, lowered so was se…..Probably different in different countries, interesting.

So what do you call the other notes ?
I found some interesting information in French :
https://fr.wikipedia.org/wiki/Désignati..._la_langue
or in English :
https://en.wikipedia.org/wiki/Key_signa...anslations
I can't find "Ti", is that Finnish ?

Hello Gaston! Found this ”The solfège syllables used for movable do differ slightly from those used for fixed do, because the English variant of the basic syllables ("ti" instead of "si") is usually used, and chromatically altered syllables are usually included as well.”   Look at     Solfège - Wikipedia.
Couldn’t get the link to work.
In the Film ”Sound of music, the song ”Do re mi” with Julie Andrews they sing  ti.

Well, I feel so tiny ! ...

It was a compliment.
Your work doesn't sound derivative: it sounds instead like a synthesis of many different, various influences mixed with your own unique sensibility and compositional mastery.

About your clever title: in the 1970’s in my school we used ti (not si). Because a 5 was so and raised 5 was si, lowered so was se…..Probably different in different countries, interesting.

So what do you call the other notes ?
I found some interesting information in French :
https://fr.wikipedia.org/wiki/Désignati..._la_langue
or in English :
https://en.wikipedia.org/wiki/Key_signa...anslations
I can't find "Ti", is that Finnish ?

For some reason, this piece seems a little like an exquisite hybrid of Chopin and French popular music from the time of Edith Piaf, with a nod to Rameau or Couperin in certain flourishes and a bit of Bartok or modern jazz added at the end.

Well, I feel so tiny ! ...
...But I don't dismiss theses influences...