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	<title type="html"><![CDATA[Modartt user forum - Tweaking Hammer Samples - mic setup?]]></title>
	<link rel="self" href="https://forum.modartt.com/extern.php?action=feed&amp;tid=4583&amp;type=atom"/>
	<updated>2016-07-12T08:39:44Z</updated>
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	<id>https://forum.modartt.com/viewtopic.php?id=4583</id>
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			<title type="html"><![CDATA[Re: Tweaking Hammer Samples - mic setup?]]></title>
			<link rel="alternate" href="https://forum.modartt.com/viewtopic.php?pid=943944#p943944"/>
			<content type="html"><![CDATA[<p>Just fiddled around some more, and actually I think what I really want is to be able to cut down the hammer noise before it reaches the soundboard / sympathetic resonance. I like pretty loud hammer noise, but with pedal down and high resosance it results in a wall of sound. No filter would help much there.</p><p>Basically I think this would simulate whether a microphone is close to the hammers or closer to the soundboard, or what characteristic you use, something like that. Though it might not even be 100% realistic I think it would be cool if one could control this.</p>]]></content>
			<author>
				<name><![CDATA[User123123123]]></name>
				<uri>https://forum.modartt.com/profile.php?id=3717</uri>
			</author>
			<updated>2016-07-12T08:39:44Z</updated>
			<id>https://forum.modartt.com/viewtopic.php?pid=943944#p943944</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: Tweaking Hammer Samples - mic setup?]]></title>
			<link rel="alternate" href="https://forum.modartt.com/viewtopic.php?pid=943930#p943930"/>
			<content type="html"><![CDATA[<p>Hello Mr. User123...</p><p>Actually, there might be a solution to your problem, in the form of a notch filter to remove essentially the fundamental bass frequency (singular, not plural) of the piano&#039;s action noise.&nbsp; Here is how I would go after it: turn the action noise as loud as it is capable of playing, and then turn DOWN the overall volume slider (but not to zero!).&nbsp; This assumes you have a software parametric equalizer that is available in your DAW.&nbsp; Once you instantiate the EQ, turn on the frequency analyzer of the parametric equalizer -- then play some notes, and look for the recurring bass sound that is essentially independent of whichever note you play.&nbsp; Once you find the offending frequency, use the EQ to sculpt out that particular frequency and use a high value of Q to exorcise as narrow a band of sound around the offending frequency.&nbsp; That&#039;s why it&#039;s called a notch filter.</p><p>If you happen not to have a sequencer/DAW that has a software parametric equalizer available, then I think one might be S.O.L.</p><p>My two cents worth,</p><p>Cheers,</p><p>Joe</p>]]></content>
			<author>
				<name><![CDATA[jcfelice88keys]]></name>
				<uri>https://forum.modartt.com/profile.php?id=734</uri>
			</author>
			<updated>2016-07-10T16:17:07Z</updated>
			<id>https://forum.modartt.com/viewtopic.php?pid=943930#p943930</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Tweaking Hammer Samples - mic setup?]]></title>
			<link rel="alternate" href="https://forum.modartt.com/viewtopic.php?pid=943928#p943928"/>
			<content type="html"><![CDATA[<p>As I understand Pianoteq uses samples for the hammer noise (and also key release samples). I find myself wanting to tweak these. How about offering some basic EQ to apply only on the hammer samples? </p><p>Often I want more hammer noise but the hammer samples have much bass, so that resonates a lot with high resonance settings. While this might be natural, from a sound design perspective I would really like to cut the bass of the hammer samples. </p><p>Also, a selection of a few different kinds of hammer and key release samples would be cool.</p><p>Cheers</p>]]></content>
			<author>
				<name><![CDATA[User123123123]]></name>
				<uri>https://forum.modartt.com/profile.php?id=3717</uri>
			</author>
			<updated>2016-07-10T10:26:38Z</updated>
			<id>https://forum.modartt.com/viewtopic.php?pid=943928#p943928</id>
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