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		<title><![CDATA[Modartt user forum - Microphones for recording]]></title>
		<link>https://forum.modartt.com/viewtopic.php?id=3863</link>
		<description><![CDATA[The most recent posts in Microphones for recording.]]></description>
		<lastBuildDate>Mon, 29 Feb 2016 09:39:01 +0000</lastBuildDate>
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			<title><![CDATA[Re: Microphones for recording]]></title>
			<link>https://forum.modartt.com/viewtopic.php?pid=941946#p941946</link>
			<description><![CDATA[<p>Ah brilliant! Thanks for that Chopin87!</p><p>Those Modartt people seem to have thought of everything….</p>]]></description>
			<author><![CDATA[null@example.com (Neil)]]></author>
			<pubDate>Mon, 29 Feb 2016 09:39:01 +0000</pubDate>
			<guid>https://forum.modartt.com/viewtopic.php?pid=941946#p941946</guid>
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			<title><![CDATA[Re: Microphones for recording]]></title>
			<link>https://forum.modartt.com/viewtopic.php?pid=941943#p941943</link>
			<description><![CDATA[<div class="quotebox"><cite>Neil wrote:</cite><blockquote><p>It would be a nice addition in the mic placement window if PianoteQ could reverse the phase of a mic (currently I do it on my mixing desk).<br />Then users could replicate an M/S arrangement purely within the program by reversing the phase on one side of a fig 8 mic pattern sent to two outputs.</p><p>It would also help a lot of headphone users who report phasing issues.</p></blockquote></div><p>You can already. Double-click on the mic volume in the sound recording tab and it will turn red reversing the phase of the mic.</p>]]></description>
			<author><![CDATA[null@example.com (Chopin87)]]></author>
			<pubDate>Sun, 28 Feb 2016 18:30:44 +0000</pubDate>
			<guid>https://forum.modartt.com/viewtopic.php?pid=941943#p941943</guid>
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			<title><![CDATA[Re: Microphones for recording]]></title>
			<link>https://forum.modartt.com/viewtopic.php?pid=941941#p941941</link>
			<description><![CDATA[<p>It would be a nice addition in the mic placement window if PianoteQ could reverse the phase of a mic (currently I do it on my mixing desk).<br />Then users could replicate an M/S arrangement purely within the program by reversing the phase on one side of a fig 8 mic pattern sent to two outputs.</p><p>It would also help a lot of headphone users who report phasing issues.</p>]]></description>
			<author><![CDATA[null@example.com (Neil)]]></author>
			<pubDate>Sun, 28 Feb 2016 16:59:59 +0000</pubDate>
			<guid>https://forum.modartt.com/viewtopic.php?pid=941941#p941941</guid>
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			<title><![CDATA[Re: Microphones for recording]]></title>
			<link>https://forum.modartt.com/viewtopic.php?pid=941900#p941900</link>
			<description><![CDATA[<p>In the real world I&#039;ve made just dozens (no, many more!) of classical recordings with an ORTF setup (a pair of cardioid mics, angled 110°, and 17 cm between capsules, see here: <a href="https://en.wikipedia.org/wiki/ORTF_stereo_technique).">https://en.wikipedia.org/wiki/ORTF_stereo_technique).</a> Sometimes I&#039;d add a few other mics if needed, but never when recording a solo piano. This being said, the positioning of the mics is of the utmost importance, normally it&#039;s the &quot;best&quot; listener perspective, sometimes further away, or more to the left or the right, depending of the instrument and the room, but it&#039;s always a good starting point. In PTQ, choose U87-cardio or C414-cardio in the models, you can&#039;t be wrong. And you&#039;ll be amazed by how much it will modifiy the sound.<br />This only applies to &quot;classical&quot; music of course, where the goal is to take a &quot;snapshot&quot; of what&#039;s being played, where, and how.<br />If it&#039;s jazz or pop, creativity is the norm, just do whatever gives a good result.</p>]]></description>
			<author><![CDATA[null@example.com (Luc Henrion)]]></author>
			<pubDate>Thu, 25 Feb 2016 20:12:17 +0000</pubDate>
			<guid>https://forum.modartt.com/viewtopic.php?pid=941900#p941900</guid>
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			<title><![CDATA[Re: Microphones for recording]]></title>
			<link>https://forum.modartt.com/viewtopic.php?pid=941889#p941889</link>
			<description><![CDATA[<p>There are already so many microfones and adjustment...&nbsp; Such richness of interation and tweakability...</p><p>More than that ???</p><p>Only if we take the actual tendency for crazy conspirary theories, and requested a parabolic microphone a 1/2mile distant, to allow feel like we would be spied by FBI while playing:</p><br /><p><span class="postimg"><img src="http://www.copwatch.org/paramic1.gif" alt="PunBB bbcode test" title="PunBB bbcode test"/></span></p>]]></description>
			<author><![CDATA[null@example.com (Beto-Music)]]></author>
			<pubDate>Thu, 25 Feb 2016 16:40:14 +0000</pubDate>
			<guid>https://forum.modartt.com/viewtopic.php?pid=941889#p941889</guid>
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			<title><![CDATA[Re: Microphones for recording]]></title>
			<link>https://forum.modartt.com/viewtopic.php?pid=941878#p941878</link>
			<description><![CDATA[<p>I realise I am very late for this post. I assume you mean recording a real acoustic piano and not Pianotq here?!</p><p>This is also a VERY long and subjective subject which is even more vague without discussing the budget available for microphones/mic preamps/compressors/reverbs etc</p><p>If we just focus on the microphones and try and keep the budget down I can report that I just recorded a major release which involves just voice and piano.<br />For that I used two SE4400, which are budget copies of the famous AKG C414 in an M/S arrangement which worked superbly.<br />I simultaneously had two SE1&#039;s in an XY arrangement for some extra &#039;width&#039; and an EV R70 at the bass strings to make the Bechstein M (1.8 meter) sound a bit bigger than it really is.<br />But in the end the M/S pair did almost all of the work.</p><p>I&#039;ve also tried Neumann TLM 103&#039;s as XY - personally I liked this very much but for broadcast it&#039;s not very mono compatible but as the pianist it was very pleasing.</p><p>I&#039;ve heard very good things about the Earthworks piano mikes but I&#039;ve never used them.</p><p>Lastly - this really is down to personal taste and dependant on the style of music/room/piano that it&#039;s almost a thread without end! :-)</p><p>Maybe better just to use Pianoteq ;-)</p>]]></description>
			<author><![CDATA[null@example.com (Neil)]]></author>
			<pubDate>Thu, 25 Feb 2016 14:15:55 +0000</pubDate>
			<guid>https://forum.modartt.com/viewtopic.php?pid=941878#p941878</guid>
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			<title><![CDATA[Microphones for recording]]></title>
			<link>https://forum.modartt.com/viewtopic.php?pid=937949#p937949</link>
			<description><![CDATA[<p>Does anyone have any suggestions for microphones? Primarily from the players perspective? Also how many? Settings?</p><br /><p>Thanks</p>]]></description>
			<author><![CDATA[null@example.com (Amateur Jerry)]]></author>
			<pubDate>Tue, 21 Apr 2015 03:20:22 +0000</pubDate>
			<guid>https://forum.modartt.com/viewtopic.php?pid=937949#p937949</guid>
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