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		<title><![CDATA[Modartt user forum - About the New Erard]]></title>
		<link>https://forum.modartt.com/viewtopic.php?id=3280</link>
		<description><![CDATA[The most recent posts in About the New Erard.]]></description>
		<lastBuildDate>Fri, 23 May 2014 17:52:16 +0000</lastBuildDate>
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			<title><![CDATA[Re: About the New Erard]]></title>
			<link>https://forum.modartt.com/viewtopic.php?pid=931841#p931841</link>
			<description><![CDATA[<p>Yesterday I found a article (in portuguese) about vintage pianos, and they mentioned straight strings had some few advanteges in relation to crossed strings, despite the qualities of crossed strings in other terms.<br />I wondered if pianoteq, and his ability to do some impossible things, could create a crossed string preserving the advantages of straight strings.</p>]]></description>
			<author><![CDATA[null@example.com (Beto-Music)]]></author>
			<pubDate>Fri, 23 May 2014 17:52:16 +0000</pubDate>
			<guid>https://forum.modartt.com/viewtopic.php?pid=931841#p931841</guid>
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			<title><![CDATA[Re: About the New Erard]]></title>
			<link>https://forum.modartt.com/viewtopic.php?pid=931836#p931836</link>
			<description><![CDATA[<div class="quotebox"><cite>algorhythms wrote:</cite><blockquote><p>Is it okay that we all address you as Philippe? I know that in today&#039;s world we&#039;re more informal but I grew up in a time when calling someone by their first name was only done by having that person&#039;s permission.</p></blockquote></div><p>It&#039;s still like that in Japan, mostly. Even today. <i class="far fa-smile smiley"></i></p>]]></description>
			<author><![CDATA[null@example.com (EvilDragon)]]></author>
			<pubDate>Fri, 23 May 2014 17:16:54 +0000</pubDate>
			<guid>https://forum.modartt.com/viewtopic.php?pid=931836#p931836</guid>
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			<title><![CDATA[Re: About the New Erard]]></title>
			<link>https://forum.modartt.com/viewtopic.php?pid=931835#p931835</link>
			<description><![CDATA[<div class="quotebox"><cite>algorhythms wrote:</cite><blockquote><p>Is it okay that we all address you as Philippe?</p></blockquote></div><p>Of course, with great pleasure <i class="far fa-smile smiley"></i></p>]]></description>
			<author><![CDATA[null@example.com (Philippe Guillaume)]]></author>
			<pubDate>Fri, 23 May 2014 17:16:09 +0000</pubDate>
			<guid>https://forum.modartt.com/viewtopic.php?pid=931835#p931835</guid>
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			<title><![CDATA[Re: About the New Erard]]></title>
			<link>https://forum.modartt.com/viewtopic.php?pid=931833#p931833</link>
			<description><![CDATA[<p>Good Morning Philippe,</p><p>Thank you! I&#039;ve been enjoying Pianoteq since 2009 and completely forgot about that feature in the Action panel. I appreciate your taking the time to respond. </p><p>Is it okay that we all address you as Philippe? I know that in today&#039;s world we&#039;re more informal but I grew up in a time when calling someone by their first name was only done by having that person&#039;s permission.&nbsp; </p><p>Again, my thanks to you and all at Modartt. Your mathematics teachers from grade school onward must be very&nbsp; proud of each of you for the achievements made with Pianoteq 5.</p><p>Robert</p>]]></description>
			<author><![CDATA[null@example.com (algorhythms)]]></author>
			<pubDate>Fri, 23 May 2014 16:35:59 +0000</pubDate>
			<guid>https://forum.modartt.com/viewtopic.php?pid=931833#p931833</guid>
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			<title><![CDATA[Re: About the New Erard]]></title>
			<link>https://forum.modartt.com/viewtopic.php?pid=931803#p931803</link>
			<description><![CDATA[<div class="quotebox"><cite>algorhythms wrote:</cite><blockquote><p>First, a million thanks&nbsp; to the team at Modartt for all the hard work that has made Pianoteq 5 such a joy to play. </p><p>I do have a question about the &quot;new&quot; Erard. The notes C6, C#6, and D6 don&#039;t have as efficient dampers as all the other notes. Is that because the actual Erard had this issue? Is there a way to make the dampers on just those 3 notes work a bit better? Not really necessary but would like to try.</p><p>Love the new Bechstein. Have been playing it almost non-stop.</p><p>Thank you, again...Everything I hoped for in the new version has been realized.</p><p>Robert</p></blockquote></div><p>Thanks Robert for the kind words!</p><p>The S. Erard (1849) has dampers up to B5 (MIDI #83), hence you found the exact place where it has no more dampers. </p><p>You can however add some dampers if you wish: in the Action panel, just move the &quot;Last damper&quot; slider to the right up to where you want dampers.</p>]]></description>
			<author><![CDATA[null@example.com (Philippe Guillaume)]]></author>
			<pubDate>Fri, 23 May 2014 06:50:26 +0000</pubDate>
			<guid>https://forum.modartt.com/viewtopic.php?pid=931803#p931803</guid>
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			<title><![CDATA[About the New Erard]]></title>
			<link>https://forum.modartt.com/viewtopic.php?pid=931798#p931798</link>
			<description><![CDATA[<p>First, a million thanks&nbsp; to the team at Modartt for all the hard work that has made Pianoteq 5 such a joy to play. </p><p>I do have a question about the &quot;new&quot; Erard. The notes C6, C#6, and D6 don&#039;t have as efficient dampers as all the other notes. Is that because the actual Erard had this issue? Is there a way to make the dampers on just those 3 notes work a bit better? Not really necessary but would like to try.</p><p>Love the new Bechstein. Have been playing it almost non-stop.</p><p>Thank you, again...Everything I hoped for in the new version has been realized.</p><p>Robert</p>]]></description>
			<author><![CDATA[null@example.com (algorhythms)]]></author>
			<pubDate>Thu, 22 May 2014 22:49:30 +0000</pubDate>
			<guid>https://forum.modartt.com/viewtopic.php?pid=931798#p931798</guid>
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