Hello Carmelo,
As always with your music recordings: a lovely composition, performed very beautifully. Thank you very much.
Best regards,
J. Unruh

Ciao Unruh!

Thank you so much for your kind words and for your continued support of my music. I am truly glad that you enjoyed this performance! Your appreciation means a lot to me.

Greetings from Italy!
Carmelo

carmelo.paolucci wrote:

Dear Friends,

In this video I perform Sinfonia No. 13 3- part in A minor BWV 799 from  by Johann Sebastian Bach. This is a solemn piece in 3/8. The subject is a short and simple theme, a sort of cantus firmus in the upper voice, with a syncopated ending. The other voices join in order and between the entry of the middle one (5, in the dominant) and the lower (13, in the tonic) there is a short episode of descending scales in 1/16s in the two upper voices. The minor second A-G#A in the bass (1) will prove to be of particular importance in the sequel. In the transition to the relative major (21) the two upper voices play the theme in parallel while the lower one brings in a new motif of a broken chord with an ending, which is built on the minor second of the bass
of (1). This gains more importance e.g. in the upper voices of 36-40 to the end.
Enjoy your listening Bach from Italy

Carmelo
This video was recorded with these setting:
Played on Yamaha P125 piano stage, Tamara House.                                                                                                            Video Recording Samsung galaxy A54.
VST: Bösendorfer  VC 280 Pianoteq Stage 9
Editing: Wondershare Filmora
https://youtu.be/WM06L3GICr4

Excellent playing. Clear "singing" of the themes. A brilliant three-part musical puzzle. They weave together like a braid.
Great job again carmelo. I always enjoy your playing.

Best wishes,

Stig

Thank you so much for your comment and support Stig !
I'm really happy you've enjoyed my video.
Greetings from Italy
Carmelo

Dear Friends,

In this video I perform Sinfonia No. 13 3- part in A minor BWV 799 from  by Johann Sebastian Bach. This is a solemn piece in 3/8. The subject is a short and simple theme, a sort of cantus firmus in the upper voice, with a syncopated ending. The other voices join in order and between the entry of the middle one (5, in the dominant) and the lower (13, in the tonic) there is a short episode of descending scales in 1/16s in the two upper voices. The minor second A-G#A in the bass (1) will prove to be of particular importance in the sequel. In the transition to the relative major (21) the two upper voices play the theme in parallel while the lower one brings in a new motif of a broken chord with an ending, which is built on the minor second of the bass
of (1). This gains more importance e.g. in the upper voices of 36-40 to the end.
Enjoy your listening Bach from Italy

Carmelo
This video was recorded with these setting:
Played on Yamaha P125 piano stage, Tamara House.                                                                                                            Video Recording Samsung galaxy A54.
VST: Bösendorfer  VC 280 Pianoteq Stage 9
Editing: Wondershare Filmora
https://youtu.be/WM06L3GICr4

Excellent playing. Clear "singing" of the themes. A brilliant three-part musical puzzle. They weave together like a braid.
Great job again carmelo. I always enjoy your playing.

Best wishes,

Stig

Solemn, indeed ! That's the feel i get when listening to it. Perfect for a kind of interlude (to me). Nice !

Thank you so much for your comment and support Borealis!
I'm really happy you enjoyed my video.
Have a nice week !
Carmelo

In this video I perform Sinfonia No. 13 3- part in A minor BWV 799 from  by Johann Sebastian Bach. This is a solemn piece in 3/8. The subject is a short and simple theme, a sort of cantus firmus in the upper voice, with a syncopated ending. The other voices join in order and between the entry of the middle one (5, in the dominant) and the lower (13, in the tonic) there is a short episode of descending scales in 1/16s in the two upper voices. The minor second A-G#A in the bass (1) will prove to be of particular importance in the sequel. In the transition to the relative major (21) the two upper voices play the theme in parallel while the lower one brings in a new motif of a broken chord with an ending, which is built on the minor second of the bass
of (1). This gains more importance e.g. in the upper voices of 36-40 to the end.
Enjoy your listening Bach from Italy

Carmelo
This video was recorded with these setting:
Played on Yamaha P125 piano stage, Tamara House.                                                                                                            Video Recording Samsung galaxy A54.
VST: Bösendorfer  VC 280 Pianoteq Stage 9
Editing: Wondershare Filmora
https://youtu.be/WM06L3GICr4