Stig,  this is lovely and indeed very moving. Such a pleasure to hear you play.

All the best,
Robert

Thank you Robert for your kind words. I appreciate listening to my music.

Best wishes,

Stig

All the best,
Robert

Pianoteqenthusiast wrote:

From A. Corelli’s12 Trio Sonatas / Sonate da chiesa, Op. 3, Sections Grave and Vivace. Now Grave and Vivace one after the other as it should be
Here with Syngular soloist and French horns

https://forum.modartt.com/uploads.php?f...Vivace.mp3

Arcangelo Corelli's 12 trio sonatas, Opus 3, a set of sonate da chiesa ("church sonatas", in contrast to the more suite-esque "chamber sonatas") written for two violins and basso continuo. Corelli was one of the first to make the distinction between the two types of sonata and was one of the most important composers to further develop them, which later influenced and evolved into the classical sonata.

All the best, everyone

Stig

In my opinion: This is one of the friendliest forums in the music production world.

Beautifully done, Stig! Hearing the Grave and Vivace one after the other gives the piece its proper contrast and narrative flow, just as Corelli intended. The Syngular soloist fits the lines surprisingly well, and adding the French horns is a wonderful, creative orchestration choice for a Trio Sonata. Thank you for sharing this—and I couldn't agree more with your sentiment, this really is one of the friendliest forums around!
Greetings from Italy
Carmelo

Thank you carmelo for your kind and detailed comment. I'm grateful.

Best wishes,

Stig

very lovely Stig!  i really enjoyed the interesting choices of orchestration.  very creative!

Thank you very much budo for kind comment.

Best wishes,

Stig

From A. Corelli’s12 Trio Sonatas / Sonate da chiesa, Op. 3, Sections Grave and Vivace. Now Grave and Vivace one after the other as it should be
Here with Syngular soloist and French horns

https://forum.modartt.com/uploads.php?f...Vivace.mp3

Arcangelo Corelli's 12 trio sonatas, Opus 3, a set of sonate da chiesa ("church sonatas", in contrast to the more suite-esque "chamber sonatas") written for two violins and basso continuo. Corelli was one of the first to make the distinction between the two types of sonata and was one of the most important composers to further develop them, which later influenced and evolved into the classical sonata.

All the best, everyone

Stig

In my opinion: This is one of the friendliest forums in the music production world.

Beautifully done, Stig! Hearing the Grave and Vivace one after the other gives the piece its proper contrast and narrative flow, just as Corelli intended. The Syngular soloist fits the lines surprisingly well, and adding the French horns is a wonderful, creative orchestration choice for a Trio Sonata. Thank you for sharing this—and I couldn't agree more with your sentiment, this really is one of the friendliest forums around!
Greetings from Italy
Carmelo

https://forum.modartt.com/uploads.php?f...Vivace.mp3

Arcangelo Corelli's 12 trio sonatas, Opus 3, a set of sonate da chiesa ("church sonatas", in contrast to the more suite-esque "chamber sonatas") written for two violins and basso continuo. Corelli was one of the first to make the distinction between the two types of sonata and was one of the most important composers to further develop them, which later influenced and evolved into the classical sonata.

All the best, everyone

Stig

In my opinion: This is one of the friendliest forums in the music production world.