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	<title type="html"><![CDATA[Modartt user forum - Sweet recordings using Stopper's pure 12th's with the EBVT temperament]]></title>
	<link rel="self" href="https://forum.modartt.com/extern.php?action=feed&amp;tid=1315&amp;type=atom"/>
	<updated>2010-09-12T06:39:41Z</updated>
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	<id>https://forum.modartt.com/viewtopic.php?id=1315</id>
		<entry>
			<title type="html"><![CDATA[Re: Sweet recordings using Stopper's pure 12th's with the EBVT temperament]]></title>
			<link rel="alternate" href="https://forum.modartt.com/viewtopic.php?pid=13711#p13711"/>
			<content type="html"><![CDATA[<p>On the PW Tech forum, there are two newish posts revealing that Patrick used a NOS mic setup for these recordings:</p><p><a href="http://www.pianoworld.com/forum/ubbthreads.php/topics/1387799/101.html">http://www.pianoworld.com/forum/ubbthre...9/101.html</a></p><p>The first post, with a photo, makes a slight error that is corrected by pppat (Patrick) three posts down in the thread:</p><p>&quot;Yes, good explanation of the NOS stereo technique. Just to clarify, the left mic is -45 degrees off the center, the right mic is +45 degrees off the center, making the angle between the two mics 90 degrees.</p><p>It gives a remarkable stereo capture, and I personally like it a bit more than the ORTF standard which has a wider angle and closer distance between the mics. The NOS is somewhat more focused to me. &quot;</p><p>There&#039;s quite a bit of info about NOS techniques on the internet, of course. Still reading around, myself.</p>]]></content>
			<author>
				<name><![CDATA[Jake Johnson]]></name>
				<uri>https://forum.modartt.com/profile.php?id=11</uri>
			</author>
			<updated>2010-09-12T06:39:41Z</updated>
			<id>https://forum.modartt.com/viewtopic.php?pid=13711#p13711</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Re: Sweet recordings using Stopper's pure 12th's with the EBVT temperament]]></title>
			<link rel="alternate" href="https://forum.modartt.com/viewtopic.php?pid=11070#p11070"/>
			<content type="html"><![CDATA[<p>Very nice sound, nicer for the Ravel even. I don&#039;t want to revive old pianoworld arguments, but I think this EBVT tuning is quite similar to CHAS in its singing quality.</p>]]></content>
			<author>
				<name><![CDATA[Gilles]]></name>
				<uri>https://forum.modartt.com/profile.php?id=657</uri>
			</author>
			<updated>2010-03-28T20:37:05Z</updated>
			<id>https://forum.modartt.com/viewtopic.php?pid=11070#p11070</id>
		</entry>
		<entry>
			<title type="html"><![CDATA[Sweet recordings using Stopper's pure 12th's with the EBVT temperament]]></title>
			<link rel="alternate" href="https://forum.modartt.com/viewtopic.php?pid=11064#p11064"/>
			<content type="html"><![CDATA[<p>Some lovely sounds. These two recordings by Patrick in Finland use a small Yamaha he tuned to the EBVT (a well temperament) while also using the just 12ths advocated by B. Stopper:</p><p>Bach: <a href="http://wingren.fi/patrick/public/bach_siloti_prelude_b_minor_EBVTIII.mp3">http://wingren.fi/patrick/public/bach_s...BVTIII.mp3</a></p><p>Ravel: <a href="http://wingren.fi/patrick/public/ravel_menuet_sur_le_nom_d_haydn_EBVTIII.mp3">http://wingren.fi/patrick/public/ravel_...BVTIII.mp3</a></p><p>(Give the second one a few seconds. At the beginning, it doesn&#039;t sound as good as the first, but by the end it exposes the sound still more.)</p><p>There&#039;s a photo of the piano, too, along with the thread discussing this and the ebvt in general:&nbsp; <a href="http://www.pianoworld.com/forum/ubbthreads.php/topics/1405596/27.html">http://www.pianoworld.com/forum/ubbthre...96/27.html</a></p><p>(The photo and the post with these links are on page 27 of thread. Just in case the link lands you on page one of the now 29 page thread.)</p>]]></content>
			<author>
				<name><![CDATA[Jake Johnson]]></name>
				<uri>https://forum.modartt.com/profile.php?id=11</uri>
			</author>
			<updated>2010-03-28T19:27:16Z</updated>
			<id>https://forum.modartt.com/viewtopic.php?pid=11064#p11064</id>
		</entry>
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