Good Job Piotr !
I really liked the Allemande...
Carmelo

Pay attention to the final, third movement of this recording – the Sarabande. It's not true that the Sarabande should always be played at a snail's pace. In this case, it would sound very bad. Here, the Sarabande replaces the Gigue, which typically appears at the end of a Baroque suite.

Greetings from Poland.
Piotr

My recording today. On my MS Surface mobile computer, I ran three PIANOTEQ programs simultaneously to assign a different timbre from the G. Giusti harpsichord from the Karsten collection to each keyboard.

The Giovanni Giusti harpsichord, built in 1680, is a four-octave Italian harpsichord characterized by a powerful attack, particularly useful for basso continuo playing. Its sound is very rich in harmonics.

https://youtu.be/MnJxZCPbCVI?si=Mj8waurJWIrEts6N

Good Job Piotr !
I've never heard this piece by Bohm, but it's very interesting...
I really liked the Allemande; for me, it's the beating heart of the suite. It's characterized by a dense polyphonic texture and a skillful use of suspensions that create a sense of noble resignation.
Really beautiful!
Thanks for sharing.
Greetings from Italy
Carmelo

The Giovanni Giusti harpsichord, built in 1680, is a four-octave Italian harpsichord characterized by a powerful attack, particularly useful for basso continuo playing. Its sound is very rich in harmonics.

https://youtu.be/MnJxZCPbCVI?si=Mj8waurJWIrEts6N