Hello Carmelo,
Thank you very much for the beautiful music recording. It's always worth listening to your music.
Best regards,
J. Unruh

Translated DeepL

Thank you so much for your comment Unruh !!!
I'm really happy you enjoyed my video. I always try to do my best with Bach's music.
Greetings from Italy
Carmelo

carmelo.paolucci wrote:

Dear Friends,

This sinfonia, in sharp contrast to the one before and the one after it, projects a somewhat light and smiling character. This, however, does not detract of its dense contrapuntal and structural construction. The main theme is introduced as a sort of a dialogue of two and a half bars between a rising third and a descending second. It is repeated in the dominant, where the opening motif is developed in a sort of variation in the accompaniment in the left hand that emphasizes an ascending fourth, which proves to be important in the sequel. This exposition
gets an intensive development  that brings to the relative minor  and from there to
III. There we have another development in a form of a streto that leads to IV  and back to D. The opening theme is repeated there in the middle voice , whereas the accompanying theme is in upper voice. The work ends with the texture of the opening phrase
that was in the dominant, but is now in the tonic.
I hope you appreciate this little effort, for which I obviously take no credit. All credit goes to J.S. Bach for composing this little gem.
Enjoy your listening & Greetings from Italy

Carmelo

This video was recorded with these setting:
Played on Yamaha P125 piano stage, Tamara House.                                          Video Recording Samsung galaxy A54.
VST: Bösendorfer  VC 280 Pianoteq Stage 8.4
Editing: Wondershare Filmora
https://youtu.be/y6E8hmb481g

Bravo carmelo! Just wonderful. All voices distinctly heard and played very clean. I can really hear the separate voices/melodies. 

Great performance of another Bach masterpiece.Thank you carmelo so much for sharing your great performance. It is a really joyful piece. Love your playing.

And Bach is a genius….a Master with exceptional skill:

If we think of the first three notes of the piece, a separate melodic fragment, Bach uses it 31 times !!!!  - back and force with the three voices. For the entire  piece! 
Wow! I can’t believe he did it….but he did it.

Best wishes,

Stig

Thank you so much for your comment and for your detailed explanation of this piece!
You're right Bach was really a contrapuntal genius particularry in these short pieces... i love to play them !!!!
Greetings from Italy
Carmelo

Translated DeepL

carmelo.paolucci wrote:

Dear Friends,

This sinfonia, in sharp contrast to the one before and the one after it, projects a somewhat light and smiling character. This, however, does not detract of its dense contrapuntal and structural construction. The main theme is introduced as a sort of a dialogue of two and a half bars between a rising third and a descending second. It is repeated in the dominant, where the opening motif is developed in a sort of variation in the accompaniment in the left hand that emphasizes an ascending fourth, which proves to be important in the sequel. This exposition
gets an intensive development  that brings to the relative minor  and from there to
III. There we have another development in a form of a streto that leads to IV  and back to D. The opening theme is repeated there in the middle voice , whereas the accompanying theme is in upper voice. The work ends with the texture of the opening phrase
that was in the dominant, but is now in the tonic.
I hope you appreciate this little effort, for which I obviously take no credit. All credit goes to J.S. Bach for composing this little gem.
Enjoy your listening & Greetings from Italy

Carmelo

This video was recorded with these setting:
Played on Yamaha P125 piano stage, Tamara House.                                          Video Recording Samsung galaxy A54.
VST: Bösendorfer  VC 280 Pianoteq Stage 8.4
Editing: Wondershare Filmora
https://youtu.be/y6E8hmb481g

Good Job Carmelo !!!!
Keep on Bach Sinfonias!!!
Arno

Thank you so much for your comment Arno !
Greetings from Italy
Carmelo

Dear Friends,

This sinfonia, in sharp contrast to the one before and the one after it, projects a somewhat light and smiling character. This, however, does not detract of its dense contrapuntal and structural construction. The main theme is introduced as a sort of a dialogue of two and a half bars between a rising third and a descending second. It is repeated in the dominant, where the opening motif is developed in a sort of variation in the accompaniment in the left hand that emphasizes an ascending fourth, which proves to be important in the sequel. This exposition
gets an intensive development  that brings to the relative minor  and from there to
III. There we have another development in a form of a streto that leads to IV  and back to D. The opening theme is repeated there in the middle voice , whereas the accompanying theme is in upper voice. The work ends with the texture of the opening phrase
that was in the dominant, but is now in the tonic.
I hope you appreciate this little effort, for which I obviously take no credit. All credit goes to J.S. Bach for composing this little gem.
Enjoy your listening & Greetings from Italy

Carmelo

This video was recorded with these setting:
Played on Yamaha P125 piano stage, Tamara House.                                          Video Recording Samsung galaxy A54.
VST: Bösendorfer  VC 280 Pianoteq Stage 8.4
Editing: Wondershare Filmora
https://youtu.be/y6E8hmb481g

Bravo carmelo! Just wonderful. All voices distinctly heard and played very clean. I can really hear the separate voices/melodies. 

Great performance of another Bach masterpiece.Thank you carmelo so much for sharing your great performance. It is a really joyful piece. Love your playing.

And Bach is a genius….a Master with exceptional skill:

If we think of the first three notes of the piece, a separate melodic fragment, Bach uses it 31 times !!!!  - back and force with the three voices. For the entire  piece! 
Wow! I can’t believe he did it….but he did it.

Best wishes,

Stig

Dear Friends,

This sinfonia, in sharp contrast to the one before and the one after it, projects a somewhat light and smiling character. This, however, does not detract of its dense contrapuntal and structural construction. The main theme is introduced as a sort of a dialogue of two and a half bars between a rising third and a descending second. It is repeated in the dominant, where the opening motif is developed in a sort of variation in the accompaniment in the left hand that emphasizes an ascending fourth, which proves to be important in the sequel. This exposition
gets an intensive development  that brings to the relative minor  and from there to
III. There we have another development in a form of a streto that leads to IV  and back to D. The opening theme is repeated there in the middle voice , whereas the accompanying theme is in upper voice. The work ends with the texture of the opening phrase
that was in the dominant, but is now in the tonic.
I hope you appreciate this little effort, for which I obviously take no credit. All credit goes to J.S. Bach for composing this little gem.
Enjoy your listening & Greetings from Italy

Carmelo

This video was recorded with these setting:
Played on Yamaha P125 piano stage, Tamara House.                                          Video Recording Samsung galaxy A54.
VST: Bösendorfer  VC 280 Pianoteq Stage 8.4
Editing: Wondershare Filmora
https://youtu.be/y6E8hmb481g

Good Job Carmelo !!!!
Keep on Bach Sinfonias!!!
Arno

lovely performance Carmelo!  i see what you mean about the simultaneous lightness and density, a very interesting perspective.  love what you did with it and looking forward to more!

Thank you so much Budo for your comment !
I'l really happy you liked my video and my vision on this piece.
Greetings from Italy
Carmelo

This sinfonia, in sharp contrast to the one before and the one after it, projects a somewhat light and smiling character. This, however, does not detract of its dense contrapuntal and structural construction. The main theme is introduced as a sort of a dialogue of two and a half bars between a rising third and a descending second. It is repeated in the dominant, where the opening motif is developed in a sort of variation in the accompaniment in the left hand that emphasizes an ascending fourth, which proves to be important in the sequel. This exposition
gets an intensive development  that brings to the relative minor  and from there to
III. There we have another development in a form of a streto that leads to IV  and back to D. The opening theme is repeated there in the middle voice , whereas the accompanying theme is in upper voice. The work ends with the texture of the opening phrase
that was in the dominant, but is now in the tonic.
I hope you appreciate this little effort, for which I obviously take no credit. All credit goes to J.S. Bach for composing this little gem.
Enjoy your listening & Greetings from Italy

Carmelo

This video was recorded with these setting:
Played on Yamaha P125 piano stage, Tamara House.                                          Video Recording Samsung galaxy A54.
VST: Bösendorfer  VC 280 Pianoteq Stage 8.4
Editing: Wondershare Filmora
https://youtu.be/y6E8hmb481g