I spoke of 'touch' to create dynamics on the organ - it's subtle but very noticeable. Here are a few examples using the first finger exercise offered by HANON below:
The detaché approach (each note is played short to give the sound air)
https://forum.modartt.com/uploads.php?f...N%2001.mp3
The staccato approach (each note is played very short for effect)
https://forum.modartt.com/uploads.php?f...N%2002.mp3
Combining legato and detaché (do any notes stand out?)
https://forum.modartt.com/uploads.php?f...N%2003.mp3
Combining legato and staccato (more pronounced effect)
https://forum.modartt.com/uploads.php?f...N%2004.mp3
Just for the fun of it ...
https://forum.modartt.com/uploads.php?f...N%2005.mp3
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Extra bonus - BACH Prelude in Cm BWV 999 excerpt
https://forum.modartt.com/uploads.php?f...%20999.mp3
Hamish MacCunn's Sutherland's Law (Theme from The Land of the Mountain and the Flood)
https://forum.modartt.com/uploads.php?f...c%2004.mp3
Satie's Gymnopédies I
https://forum.modartt.com/uploads.php?f...c%2002.mp3
Czibulka-Tobani's Hearts and Flowers
https://forum.modartt.com/uploads.php?f...c%2003.mp3
This time using Bome MIDI Translator to split the EL-900's lower keyboard to add contrasting registration.
]]>I used Bome MIDI Translator to allow me to control all 3 swell pedals with just the one on my EL-900 and also to control the gain control of the pedal section so it too will 'swell'
Here's my initial result (don't listen to the wrong notes I was concentrating more on the GUI to give a 'performance')