Hello Carmelo,
J. S. Bach's compositions are always special. Your interpretation of this composition is very beautiful.
Best regards,
J. UnruhTranslated DeepL
Thank you so much Unruh for your coment and your support !
You're absolutely right: each Bach's composition is a real masterpiece.
Greetings from Italy
Carmelo
Translated DeepL
]]>excellent performance Carmelo! so lively yet delicate. this is not one i'm so familiar with so it was great to see it done.
Thank you so much for your comment Budo !
I'm really happy you liked my video.
Greetings from Italy
Carmelo
Very enjoyable to listen and watch! Definitely adds to the overall feel to be able to see your hand movements and intensity!
Ken
Thank you so much for your comment Ken !
Your videos are Great for me !
Greetings from Italy
Carmelo
carmelo.paolucci wrote:Dear Friends
Bach Invention No. 10, in G major, begins like a fugue, but without any of the fetters of that form; it flits to and fro--now in imitation, and now in episodic extension. There is a piece of quite wanton fun at the reprise, when the upper part takes upon itself the double duty of a theme and response.
Enjoy your listening & Greetings from ItalyCarmelo
My actual setting is:
Played on Yamaha P125 piano stage Video Recording Samsung Galaxy A54.
VST: Bösendorfer VC 280 Pianoteq Stage 8.4This piece looks easy. But coordinating the two hands together, for me, would be a nightmare. An it has a bunch of trills, and with that tempo.
Great job Carmelo! ! You nailed it. You are the best. Fast this time, but not too fast. This tempo still allow trills to be heard cleanly. Good job here carmelo!
This recording, so excellent, makes me say that you should definitely , without doubt, be in this year's Contest. If you have time, give us a new recording of your talent and hard work, for the Contest.
(”Besides getting a 20 € value coupon for your participation, you will get a chance to win more than that, up to 400 € that you can use for purchasing products in our online store.
….until December 31st, publish your own video on YouTube where you are using Pianoteq 9 (Stage, Standard or Pro version) or Organteq 2. When your video is posted on Youtube, announce it……. …”. Read more on Mozart site.Beat wishes,
Stig
Dear Stig,
Thank you so much for your comment and your never ending support !!!!
I posted my contest video today! I recently updated to pianoteq 9 and I'm still not entirely familiar with it... I like some things, some less so, but I'll give it time to evaluate it and in the meantime, I'm having fun.
Greetings from Italy
Carmelo
Ken
]]>Dear Friends
Bach Invention No. 10, in G major, begins like a fugue, but without any of the fetters of that form; it flits to and fro--now in imitation, and now in episodic extension. There is a piece of quite wanton fun at the reprise, when the upper part takes upon itself the double duty of a theme and response.
Enjoy your listening & Greetings from ItalyCarmelo
My actual setting is:
Played on Yamaha P125 piano stage Video Recording Samsung Galaxy A54.
VST: Bösendorfer VC 280 Pianoteq Stage 8.4
This piece looks easy. But coordinating the two hands together, for me, would be a nightmare. An it has a bunch of trills, and with that tempo.
Great job Carmelo! ! You nailed it. You are the best. Fast this time, but not too fast. This tempo still allow trills to be heard cleanly. Good job here carmelo!
This recording, so excellent, makes me say that you should definitely , without doubt, be in this year's Contest. If you have time, give us a new recording of your talent and hard work, for the Contest.
(”Besides getting a 20 € value coupon for your participation, you will get a chance to win more than that, up to 400 € that you can use for purchasing products in our online store.
….until December 31st, publish your own video on YouTube where you are using Pianoteq 9 (Stage, Standard or Pro version) or Organteq 2. When your video is posted on Youtube, announce it……. …”. Read more on Mozart site.
Beat wishes,
Stig
]]>Bach Invention No. 10, in G major, begins like a fugue, but without any of the fetters of that form; it flits to and fro--now in imitation, and now in episodic extension. There is a piece of quite wanton fun at the reprise, when the upper part takes upon itself the double duty of a theme and response.
Enjoy your listening & Greetings from Italy
Carmelo
My actual setting is:
Played on Yamaha P125 piano stage Video Recording Samsung Galaxy A54.
VST: Bösendorfer VC 280 Pianoteq Stage 8.4