Anyway, as a compliment, the sound in this piece is exceptional, meaning different from all your earlier in my opinion, it has a particular quality, you are good at these experiments which you have proven with this sound again. And that’s why I felt something.
I like that feeling! Thank you kc Paul!Best wishes,
Stig
Thank you for your appreciation, Stig.
Best Wishes
k.c.Paul
Pianoteqenthusiast wrote:k c Paul Li wrote:Presets used: all modern pianos
Temperament: Vallotti & Young (Root: E4)
Stretch: 1:5 Nat
Diapason: A=432
k.c.PaulVery interesting listening to this, for 3 reasons.
Diapason 432 and 2) temperament Vallotti&Young 3) Preset all pianosThe sound feels not thin but more ”fuller” than a well tuned piano, quite nice because I don’t feel it as out of tune.
Well, maybe that’s the reason why I liked your sound this time. It, 432, combined with Vallotti and Ptq, release the stress I have.
Good experiment! Thank you k.c. Paul
Best wishes,
Stig
In fact, I used all these settings for all my recordings, except that sometimes I used the Meantone scale.
Best Wishes
k.c.Paul
Meantone, yes - and Zarlino (Silent night) and one I don’t remember…
Anyway, as a compliment, the sound in this piece is exceptional, meaning different from all your earlier in my opinion, it has a particular quality, you are good at these experiments which you have proven with this sound again. And that’s why I felt something.
Those settings, how the parameters changes,how and which ptq soundcombi at a special note a s o .
Listen to those 18 first seconds and left hand sound in the background, how the sound rolls out into a large hall, or as out in space in a moonlight night…. Here is the right sounboard impedance - long enough this time ( I often listen to details in my analyses)
I like that feeling! Thank you kc Paul!
Best wishes,
Stig
]]>k c Paul Li wrote:Presets used: all modern pianos
Temperament: Vallotti & Young (Root: E4)
Stretch: 1:5 Nat
Diapason: A=432
k.c.PaulVery interesting listening to this, for 3 reasons.
Diapason 432 and 2) temperament Vallotti&Young 3) Preset all pianosThe sound feels not thin but more ”fuller” than a well tuned piano, quite nice because I don’t feel it as out of tune.
Well, maybe that’s the reason why I liked your sound this time. It, 432, combined with Vallotti and Ptq, release the stress I have.
Good experiment! Thank you k.c. Paul
Best wishes,
Stig
In fact, I used all these settings for all my recordings, except that sometimes I used the Meantone scale.
Best Wishes
k.c.Paul
Presets used: all modern pianos
Temperament: Vallotti & Young (Root: E4)
Stretch: 1:5 Nat
Diapason: A=432Best Wishes
k.c.Paul
Very interesting listening to this, for 3 reasons.
Diapason 432 and 2) temperament Vallotti&Young 3) Preset all pianos
The sound feels not thin but more ”fuller” than a well tuned piano, quite nice because I don’t feel it as out of tune.
However, pitch was not standardised in Beethoven's time, and national or international standards only began to emerge later in the 19th century.
Tests have shown that Beethoven's tuning fork resonates at 455.4 Hertz, over half a semitone higher than today's standard 'A' pitch of 440 Hertz.
So, would be nice to hear this piece in 455 Hz and well-tempered. Maybe this is the sound that Beethoven had intended us as performers and audience, to hear.
btw, I read that the 432 Hz music can be the power of healing, the tool for physical and emotional pains. It seems like its sound can release the stress bringing away negative thoughts. But it can also relax physical pains, among other things.
The ears play a very important role in this process, because they re-trasmit the sounds to the nervous system and via the nerves to the major organs.
(Alessandra Costanzo, psychologist)
Well, maybe that’s the reason why I liked your sound this time. It, 432, combined with Vallotti and Ptq, release the stress I have.
Good experiment! Thank you k.c. Paul
Best wishes,
Stig
]]>Presets used: all modern pianos
Temperament: Vallotti & Young (Root: E4)
Stretch: 1:5 Nat
Diapason: A=432
Best Wishes
k.c.Paul